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Posts Tagged ‘Kannada’
Big Boss Kannada
April 2, 2013Why this K(ol)AVERI Problem’mu ree
October 5, 2012
Song:Why this K(ol)AVERI
Composed & rendition: Ramakrishna Bellur Shivaram
Yo men.. I am Singing Song..
group Song.. Kop Song..
Why This K(ol)AVERI K(ol)AVERI K(ol)AVERI Ree?
Why This K(ol)AVERI K(ol)AVERI K(ol)AVERI Ree?
Level Correct..
Why This K(ol)AVERI K(ol)AVERI K(ol)AVERI Ree?
Maintain TMC please…
Why This K(ol)AVERI __________ a Ree?
aaa Distance’lli Neer’u Neer’u
Neeru Color’ru Ligh’tu
Ligh’tu Background Night’tu Night’tu
Night’tu Color’ru Black’ku
Why This K(ol)AVERI K(ol)AVERI K(ol)AVERI Ree?
Why This K(ol)AVERI K(ol)AVERI K(ol)AVERI Ree?
White’tu Skin’nu CM’mu CM’mu
CM’mu Heart’tu Black’ku
Both State’su fight’tu fight’tu
Our Future Dark’ku…
Why This K(ol)AVERI K(ol)AVERI K(ol)AVERI Ree?
Why This K(ol)AVERI K(ol)AVERI K(ol)AVERI Ree?
Jaya Mami, Dam Nodi…
Hange Level Nodi…
Papapa Papapapa Papapa Pa Pa…
Sariyagi nodidra…
Šuper Mami Ready.. Ready 1 2 3 4 TMC…
CM aadmele, What A Change Over Mami…
Ok Mami.. Nøw Life Change’ju…
Kaili Chomb’bu.. Only Glas’sa…
Hand’all Glass’su
Glass’all Neeru’u
Èyes’su Full’llu Tear’ru
Èmpty Dam’u, Mami Cøme’mu
Life’fu Reverse’su Gear’ru
Løv’vu Løv’vu Thumba Løv’vu
Yakilla huttur mele Lovv’vu
Now’vu Now’vu Thumba Nov’vu
Yakamma ee dovvu
Gød We are Dying Nøw’vu
Šhe Is Happy Høw’vu?
This Šøng’gu Før Kannada Bøys’su
We Døn’t Have Chøice’su
Why This K(ol)AVERI K(ol)AVERI K(ol)AVERI Ree?
Why This K(ol)AVERI K(ol)AVERI K(ol)AVERI Ree?
Why This K(ol)AVERI K(ol)AVERI K(ol)AVERI Ree?
Why This K(ol)AVERI K(ol)AVERI K(ol)AVERI Ree?
Puneeth Rajkumar in Kannadada Kotyadhipati on Suvarna channel
May 11, 2012
Design: RK
Necchina hiriyare, kicchina yuvakare, mecchina gruhalakshmiyare, swaccha manassina put-putani makkale…nimmellarannu preethiyinda barmaadikolta idheeni, naanu nimma PUNEETH…RAJKUMAR! Sambhanda-Santhrupti yeradu iro vedike idu KANNADADA KOTYADHIPATI!
We’ve got this by heart, isnt’ it?
It is exactly two months since Kannadada Kotyadhipati (KK) started on Suvarna channel on March 12. And we were all curious to see how our ‘little’ Puneeth would fare on the small screen. I say ‘little’ because for those who have grown up seeing him as a child actor, he will always be Master Lohith. Having seen Puneeth’s acting, and many an awesome dance steps, amazing fights and having heard him sing some catchy tunes on the silver screen for a decade, people of Karnataka were waiting to see the real Puneeth Rajkumar on this lovely show (having got used to KBC)! And compared to the initial episodes (and even the promos), he looks so relaxed and totally comfortable on the anchor’s seat now.
Right from the entry, till the finish, we can see the josh in him. The way he flashes his hands is enough to see why he is called the Powerstar! You feel the power when he slices the air before reading the question.
He has made the show very interesting by sharing his stories and anectodes to the audience. He looks very natural and responds very well to what the participants say. Of course, the script writer’s hand cannot be forgotten here. And film director Guruprasad is doing a fabulous job at that.
But the point is, to hold the attention of the audience, participants, the viewers for an hour and a half is quite a task…and KK has been successful in bringing the family to sit and watch this show for 90 minutes straight! The show format must be appreciated for the kind of human interest stories it has brought to us. We have seen so many different facets of life through KK. And KK has raised our IQ (at least a wee bit) for sure!
Coming back to Puneeth, he looks so grounded. I mean, he comes across as such a down-to earth human being, in spite of the aura he has because of his acting and the family background He doesn’t fake. The audience/ viewers can easily make out if you’re acting or if you’re yourself on such shows. It is nice to know that he has a good sense of humour too - he cracks a few jokes, imitates some actors or sometimes the participants. Or when he is excited, he reacts in a very natural way – he has shouted ‘yappppppa’ – just like how he might do when he is at home or with his close friends!
For boys of our generation, Dr.Rajkumar was GURU! And for Puneeth the computer is his GURU, and the way he says “Gurugale” is so casual and so much like any of us saying it.
He listens and responds to the participant’s happy / sad stories just like a common man. He gives a tip or two only when required. He encourages and gives a pat on the back if he wants to. He advices only if necessary. The way he talks, we can feel that he has never let success enter his head, just like his legendary father!
He mingles with the audience, talks politely to the companions too. He carries the kids, they sit on his lap and talks so freely. We’ve seen him give gifts like tennis racquet, chocolate, watch and so on to the participants / companions. And if a participant wishes to eat a Gobi Manchuri or drink Apple Juice, or even Coffee, Puneeth gets it for them! If he finds that a participant is tensed after coming to the ‘Hot Seat’, he gets up from his seat and gives him a quick massage. He is so obliging – if somebody wants to hug him, he lets them and if somebody wants to dance with him, he shakes a leg! He has even proposed to a female participant on her request! (Remember, he’s married and a father of two cute girls) Not to forget the way he shakes hands with most people in the audience after the show.
These are the little and instant gestures that the audience will remember of Puneeth, and the show. It is because of these that we find him and the show warm and adorable.
Another quality that Puneeth has shown on the show is that he doesn’t hesitate to admit his shortcomings. Quite a few times, he has said he is just a 10th standard pass. And for most questions, even after the answer is known, he says he didn’t know the right option. All this makes him very close to his audience. A couple of times on this show, he has told that he got to know through KK that it was Sir MV who designed the road from Tirupati to Tirumala!
Knowing Puneeth’s quality to learn something new or become better at what he is doing, there is scope for him to improve on a few pronunciations and pauses while reading the questions right, it will be good for him. He has shown it on the show when he asked a participant to teach him a Karate step, and another to teach him to talk Kannada in reverse, just a couple of instances that come to mind immediately.
Personally, I love when he has called the ‘Jimmy Jib Camera Crane’ a few times on the show. I feel he is calling a small puppy – JIMMY! Yesterday, it was so cute when he asked the Jimmy to go back as he wanted the elderly lady participant to say ” Let’s play Kannadada Kotyadhipati”, and the Jimmy had descended just in time!
And yesterday again, for the first time I heard an anchor say “Let’s take a break, else our advertisers will get angry”. We love Puneeth for these reasons – for being himself and for being a natural.
We have all loved to sit and watch the show for two months now. And we have not got bored of it, thanks to Puneeth. It has been a pleasure to see the personality behind our favourite hero. And isn’t it a boon that we get to see him in the comfort of our homes everyday? God bless Puneeth! God bless Kannadada Kotyadhipati!
And hey i forgot to mention! Doesn’t he look fabulous in those suits! I specially love those shining black suits and the round collared ones!
Thamashe Treats…Just for Fun! – Dec 15, 2011
December 15, 2011Deccan Herald has put up hoardings announcing its New Delhi edition. In each hoarding, we see a historical landmark of Delhi along with Deccan Herald’s Bangalore edition masthead (yes, it’s that big!). It would have added more value if they had placed the Delhi edition masthead of the newspaper of the first day instead of March 26, 2011, Bangalore.
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Finally heard the ‘Kolaveri’ number. I liked the usage of the nadaswara. Tune is ok…something that grows on you. Lyrics are below average. Singing hmmm…. nothing special. But people have liked it. What more do you want?
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Security people at Malls act very haughty. They ought to be told to be polite and they should know they are security people, not school principals, nor are the public, school students. And WTH, they don’t even understand / talk Kannada. It’s really frustrating when you so very creatively scold someone and he can’t even appreciate the sarcastic humour!
77th Akhila Bharatha Kannada Sahitya Sammelana
February 4, 2011
Cartoon: RK
Also visit the Cartoon page on RwB.
Dr.Raj and Dr.Vishnu: Similarities and Differences
December 30, 2009
- Rajkumar died in ‘06
Vishnuvardhan in ’09 – both years are multiples of 3 - Rajkumar died 2 days before New year’s day (New year starts on April 14th as per Souramana Calendar)
Vishnuvardhan also died 2 days before New year’s day (New year starts on January 01st as per Gregorian Calendar) - Rajkumar was born on the 24th – 2+4 =6
Vishnuvardhan was born on the 18th – 1+8 =9 – again multiples of 3 - Rajkumar died on the 12th – 1+2 =3
Vishnuvardhan died on the 30th – 3+0 =3 – again 3 - Rajkumar died on the 12th
Vishnuvardhan died in the 12th month - Rajkumar and Vishnuvardhan both died on Wednesday
- Mutturaju – 9 letters
Sampath Kumar – 12 letters – again both multiples of 3 - Rajkumar’s birth and death was in the same month – April
Vishnuvardhan’s birth and death was in the same city – Mysore - Both Rajkumar and Vishnuvardhan’s wife’s names ends with THI –
Rajkumar’s wife is PARVATHI while Vishnuvardhan’s wife is BHARATHI - Rajkumar was born on the 24th and died on the 12th – a difference of 12
Vishnuvardhan was born on the 18th and died on the 30th – again a difference of 12 - Rajkumar died in Ramaiah hospital – Rajkumar and Ramaiah – R
Vishnuvardhan died in Vikram Hospital – Vishnuvardhan and Vikram – V - Both Rajkumar and Vishnuvardhan died of massive heart attack
- Rajkumar received Honorary Doctorate from Mysore University in 1976 –
22 years after his 1st film
Vishnuvardhan received Honorary Doctorate from Bangalore University in 2005 –
33 years after his 1st film - Rajkumar was cremated in Kanteerava Studio – North Bangalore
Vishnuvardhan was cremated in Abhimaan Studio – South Bangalore - Rajkumar got married before starting his film career
Vishnuvardhan married after entering the film field - Rajkumar has 2 sisters, Sharadamma and Nagamma and a brother, Varadaraju
Vishnuvardhan has 4 sisters, Indrani, Jayasri, Ramaa and Poornima, and a brother, Ravikumar - Rajkumar – R and Varadaraju – V
Vishnuvardhan – V and Ravikumar – R - Rajkumar’s first song was in his 13th film ‘Mahishasura Mardhini’ – “Thumbithu Manava”
Vishnuvardhan’s first song was in his 21st film ‘Nagarahole’ – “Ee Notake Mai Matake” - Rajkumar’s 1st film – 1954, 100th film – 1968 and 200th film – 1988
Vishnuvardhan’s 1st film – 1972, 100th film – 1986 and 200th film – 2010 (yet to be released) - Rajkumar’s film career started in ‘54 – 5+4 = 9
Vishnuvardhan’s film career started in ’72 – 7+2 = 9 - Rajkumar and Vishnuvardhan both took 14 years to reach the 100 film mark
- Rajkumar’s 100th film was in ‘68
Vishnuvardhan’s 100th film was in ‘86 - Rajkumar took 20 years to reach the 200 film mark while Vishnuvardhan’s film Aptharakshaka if released in 2010, would be 24 years after his 100th film
- compilation by BELLUR RK
Update 1: This post was published in Bangalore Mirror on January 1, 2010.
Update 2: Kannada version of this post available at Webdunia: ರಾಜ್ ಮತ್ತು ವಿಷ್ಣು ಇಬ್ಬರೂ ನಮ್ಮನ್ನಗಲಿದ್ದು ಬುಧವಾರ..!
Natasarvabhouma Dr. Rajkumar
April 24, 2009
Design: RK
As a kid, I loved watching films. Since it was usually the Rajkumar starrers that were telecast on Doordarshan (going to the theatres caused lots of procedural delays), I saw each and every one of them in wonderment, just like how my son today watches those lions, aircrafts, ‘amazing videos’ and rhinos on Discovery Channel. Gradually, I got fascinated by the techniques the film makers used (after hearing elders say words like ‘that’s a dupe’, ‘see the separation between the 2 Rajkumars, ‘look at the lighting’…), - specially during a fight, or a scene where an actor is playing double and sometimes a triple role. Nowadays, there is no real thrill in seeing these scenes (unless you are a student of animation) as we all know there is an extensive use of ‘computer graphics’. No wonder the heroes are appearing in multiples of 10 roles!
Going back, I think the first film I saw an actor in a triple role was, of course, Rajkumar in ‘ShankarGuru’. There were a few films that I saw later where there were two Rajkumars on the screen. But nothing could match 3 Rajkumars on a single screen. And the game I played (with myself) was to see that thin differenciating line between the two Rajkumars! And during the shots where the two hug each other, I would be inching closer towards the screen to see the dupe. I would also wait for those fighting scenes where the hero, villain and his chamchas (dark skinned with a fully shaved oily head) would jump from ground floor to first floor, or from the top of a car to the roof of the heroine’s house. Again, the game was to see the face of the hero’s ‘dupe’ who jumped or somersaulted thrice while kicking a dozen of the villain’s chamchas, and vanished. But alas, the dupe always managed to keep his face away from the camera, and I had to wait for another week for another episode of ‘Chitramanjari’ or ‘Chitravali’, or the film to be telecast again on Doordarshan.
So, I think you have now guessed why the above picture sequence! Today (Apr.24) being Annavru’s 80th birth anniversary, I thought of paying homage by posting these pictures where Rajanna has not only sung an amazing classical number in Raaga Kharaharapriya, but also acted superbly as a Singer, Flute, Veena, Mridanga and Ghatam player. I can hardly see that separating line between each of those shots (Masking technique used). And the timing and synchronisation between each of those 5 Rajkumars is simply Sakkath!
To quote from an earlier post of mine:
When I met Rajanna a few months before his death, I had asked him which his favourite role was. He smiled and remained silent for a few seconds. “Kumbara, Kalidasa” he said. He told me that when he watched his movies, he felt very embarrassed seeing his acting. But then he also told me that there were times when he said to himself, “Baddi maga, parvagilla, acting baratthe ivanige.”
The first time I watched this song probably in 1980 (Kapali Theatre [yes, after the procedural delays]), I simply couldn’t wait till I watched it again and again to my heart’s content. Hats off to the actor, and all the technicians (director, cameraman, editor, light boys, make-up guys, setting team, sound engineer, and all assistants to name a few) who have worked behind the scenes of this wonderful song.
Trivia:
- When DD started in Bangalore, I vaguely remember seeing a programme where Rajkumar sang ‘Aaradhisuve Madanaari’ with an orchestra in a studio setting. Never seen that video again.
- Every time I hear this song, I am in awe of Rajkumar’s singing skills. And every time I see this song, the picturisation where the 5 Rajkumars are in a single frame reminds me of the song ‘Shivashankari’ set to Raaga Darbari Kaanada (*ing NTR, Film: Jagadeka Veeruni Katha, Music: Pendyala Nageswara Rao, Singer: Ghantasaala and Lyrics: Pingali). The lyrics went hand in hand with Ghantasala’s highly talented singing.
- Since Rajkumar was trained in music, his acting in this song (as the singer and accompanists), and in Sanaadi Appanna (as a Shehnai player), looks more authentic and natural, than NTR in the song ‘Shivashankari’ (For eg., the NTR playing Tamburi has not touched all the 4 strings as the song progresses), and Sivaji Ganesan as a Mridanga player in ‘Mirudanga Chakravarthi’ (Unrealistic portrayal).
For quite a few days now, there is news that a Stamp will be released in Rajkumar’s honour. Seeing the delay, I thought of designing and releasing one here at RwB! And feels nice to be doing that on Raj’s b-day 
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Videos:
- Aaradhisuve Madanaari (Babruvaahana)
- Shivashankari (Jagadeka Veeruni Katha)
- A scene from Mirudanga Chakravarthi
- Karedaru Kelade (Sanaadi Appanna)
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Visit Dr. Rajkumar page on RwB.
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Update: Fever 104 ran a contest ‘Duplicate Rajkumar’ this week. I spoke a dialogue and sung a song from the film Babruvaahana. Just now Fever 104 FM called up to say that Puneeth Rajkumar has picked me the winner amongst scores of contestants. Feeling really excited. To win it on Annavru’s B-day, sooper alwa?!
Shankar Rao: The Unsung Hero
April 18, 2009
Pics: PS Prakruthi
This is the story of a very inspirational 98 year old Indian World War II and army veteran whom I met in Bengaluru. He led an amazingly difficult life but was still a very cheerful and happy person. His story is truly uplifting and touched everyone he met.
by PS Prakruthi
In the month of May 2008, I made another cherished trip to India. Unlike other trips where I would mostly spend time in my grandmother’s home, talk and laugh with my relatives and friends, explore the local areas and tour the famous sites of the South, during this trip my family and I went to see the awe-inspiring Himalayas. Having lived and grown up in the U.S., to touch the soil of the Rishis and visit Vyasa’s cave, see the origin of the Saraswati River, and visit the very last village at the Indian border was overwhelming that cannot be articulated. I felt at peace and rejuvenated. Later, I went back for a few days to Bengaluru, to Vyalikaval extension, 4th main road. What more could this visit have in store?
Down the road, adjacent to my grandparents’ home is an old nondescript house. Among all the bustle and clatter of busy the 2nd main road, living alone, not in the nondescript house, but in its 10ft x 10ft shed, was a quiet and elderly gentleman. This man sat serenely in a small chair with a japa mala in one hand quietly doing japa. The shed was extremely austere, but the gentleman, looking younger than his 98 years, always wore a tranquil smile. He carried a worn pocket-sized copy of the Bhagavad Gita in Sanskrit with him always. If you happened to notice him, and took time to ask, he would tell you his compelling and unbelievable life story.
Born on May 5, 1910, in what was known as British Malaya, he had a peaceful existence until he was 12 years old. Without warning, his parents were tragically killed in their home by a bomb. A war was going on then and bombings had become commonplace. The young child had been to school and came home to find his parents killed and his home destroyed. This horrific incident sent him into shock and he had to be taken care of by a neighbour. His mind had erased the memory of who he was and he could not recall his name or that of his family and life. While he was thus recuperating, the British came in and without a hint took him away to serve in the British army. At the age of 12 he lost his parents, his home and his freedom.
“The Britishers asked me my name and when I told them that I did not remember, they gave me one,” he said on the day I met him in 2008, sitting behind a desk beside a picture of Shirdi Sai Baba. “So, they said ‘OK, from now on you will be called Shankar Rao,’”. Ripped from the only family and home he ever knew, Shankar Rao at the age of 12 was put to work in the British military. He had to live and move with the British army soldiers, wherever they were encamped and engage whomever they battled with. Rao said that he and other Indian children were used as workers to help in the battlefields, helping to load ammunition and to be at the service of the British soldiers during battles.
When he turned 14, Rao was then forced to fight in the British army. He fought in battles of wars that he knew little of much less why he was fighting. He fought in Burma; he describes how, as a child soldier, he walked with other children soldiers from Singapore to Thailand and from Burma to Manipur to Assam. In Burma and Thailand he fought under the command of Lord Wavell, the Field Marshall for his unit. When they had reached Assam by foot, the British took the Indian soldiers to Kabul and then Kandahar. Then the British decided that he would fight for them in Europe during World War II.
Having survived the battles in Asia he was sent to fight in the Middle East, then onward to Tunisia, Africa, and finally, to the Italian warfront. Rao recalled how the British, Americans, and Russians had pushed the German forces back. He vividly remembered the Indian freedom fighters who were being held in the Andaman Islands being released. Among them was Subhash Chandra Bose, who was the leader of the Indian freedom forces. Rao animatedly described that he witnessed many of the unspeakable horrors that were prevalent in World War II. He sadly stated that there was so much blood and destruction that he had witnessed unceasingly since his childhood and now in the worldwide conflict that he became seriously ill. He was weak and in need of serious recuperation, his mind once again had come under the constant onslaught of violence. In 1944, with the war coming to a frenzied end, he was finally sent back to India with barely any strength, his body and mind exhausted and broken. He spent the next three months recuperating in the General Hospital in Delhi. Mercifully perhaps, some of the atrocities he had once again witnessed in the long war were erased from his memory.
I asked Rao how he was treated by the British who needed him and others like him to fight their wars. Rao said that the Indian soldiers were mistreated and discriminated against; there was a lot of racism, and in battle, that made things even more perilous. Rao recalled that the world and Indian history of that time lucidly, a unique historian that one would be hard pressed to find nowadays. He remembered pivotal moments not only in WW II but also in the quest for India’s people gaining their much fought for independence. He described how at that time he was in the hospital in Delhi, Subhash Chandra Bose was captured and his personal assistant SA Iyer was released. After his brief rest at the hospital, the British weren’t finished with him; he was sent to Jabalpur to work in the armoury making guns and weapons for the British. But by this time, India’s people had risen. Once again Rao would be called upon to fight and risk his well-being and life. But this time was different. Now he would finally be fighting for his own people and for his country. During the violence that marked the days of the Indian partition, Rao fought to defend India against Pakistan’s attacks. India was finally free of the British despot and so was he. He went on to defend India against China in 1964 when the Chinese attacked Indian Territory.
Rao served and sacrificed for his country again and again and was unsung, unheard of, and unknown. There are few Indians of my generation who know of or can comprehend it. I imagined him as a young boy, losing his family, forced to work and fight for the foreigners that were ruling his land and finally being able to fight for his own people. My journey to the Himalayas, to the borders of India, everything that I was able to see and revel in is only possible because of the tremendous sacrifice of heroes like Rao who fought to make freedom possible. Most of them are totally unheard of and their life stories cannot even be retold to the younger generation because so few are alive now who can tell it. So much has gone unrecorded. The history books banally repeat the same tired and prosaic litany of ‘events’.
Moreover, I was astonished to note that Rao told his story without any bitterness or contempt for those who had taken everything away from him and brought so much turmoil to his life. His eyes have compassion and understanding in them as he detailed his past tribulations and those of others he knew. In fact, if one had seen him one would not even guess that his life had been touched by anything untoward. One might wonder how this is possible – for a 98 year old man without any living family who has to live alone on his military pension and whose living arrangements are literally ascetic. He called his small room with a cot, a bookcase and a desk his home. There was no running water in the room, only one cold water faucet behind the shed where he took his bath. Yet, he never complained and looked happy and peaceful.
How, I wondered, can a person who had sacrificed and suffered so much, went totally unnoticed and unappreciated, who was elderly and alone, got that kind of contentment and insight? Rao himself provided the answer. He said his immense strength and implacable serenity came to him directly from a Higher source. He was a very devout man and he believed there was only good in this world. “Of course everything is fundamentally good,” he said, as though it should be obvious to everyone. “If you think everything is good, you yourself are God. Paramathma lives in you. “ I asked him if he had any family that he knows of, I was startled by his reply: “Everyone I meet is my family, whoever talks to me, I see them as a member of my family.” He said with a smile on his face. Rao firmly believed in the power of good thoughts and was constantly doing japa. “Instead of thinking nonsense, or gossiping, I do japa. Even when I have a few minutes with nothing to do or if I’m waiting for someone or something, I do japa.” He stated. Throughout his life, his unshakeable faith in God and his deep-rooted Hindu values kept him grounded and saved him from anguish and despair. “Certainly, that faith in Him is what has kept me so long and so well”.
I thanked Rao profusely for taking the time and effort to share his remarkable story with me; to this he replied “I am so happy to see a young person such as you, who wants to know and learn about our past. It is so important that everyone understand their history and past and not forget. For the present generation life is different; they want money and enjoyment, they care not for other things. But if everybody is willing to learn the world will be a beautiful place. God Bless you”.
And I do feel truly blessed that my remarkable journey which took me to the peaks of the Himalayas and down South to Bengaluru ended with my finding out about this extraordinary 98 year old veteran gentleman who personified sacrifice, kindness and everything our Hindu and Vedic knowledge embodies. My husband says Rao reminded him of a Kannada poem by D.V. Gundappa which means: “Let me be like a flower in the dense jungle that blooms and is fragrant even when no one is there to appreciate its beauty; let me bloom for the sake of the Lord.”
Shankar Rao passed away peacefully in his sleep on Vishu/ Tamil New Year day (April 14, 2009) at the age of 98. He donated his eyes and his body to hospitals for the benefit of others.
Blog Cartoon – 65
October 30, 2008
Cartoon: RK
Also visit the Cartoon page on RwB.
