Sri Puradara Dasa is known as the Karnataka Sangeetha Pra-pithamaha (founder of Carnatic classical music). Purandara Dasa is believed to have been born in 1494 in Pandarapura in Karnataka. This was the golden age of Kannada literature too, under the most famous Vijayanagar emperor Sri Krishnadeva Raya. The influence of of Sri Purandara on Carnatic music and Kannada literature is immense. He virtually started the branch of literature which is now known as Dasa Sahithya. It was a blend of sublime poetry and music emphasising the virtues of good life over material wealth and religious ceremonies. Kanaka Dasa is another composer who was his contemorary and an important contributor to Dasa Sahithya.
There is a legend as to how he gave up a life of wealth to become an ascetic. He worked as a money lender and was infamous as a miser. Once, a Brahmin man wanted to perform the sacred thread ceremony (upanayana) for his son and came to Purandara Dasa’s wife for money. She gave him her nose-ring to sell for money, and the man went to Purandara Dasa himself to get the money. The miser lent the man his money, but his wife was worried about what to say to her husband, so she prayed to her favorite deity who gave her a nose-ring just like the one she had. When Purandara Dasa hurried home, anxious to know if the nose-ring was hers, he was bewildered seeing her wear the same one! She narrated the story, and he was converted, believing in the virtue of his wife and the virtue of a charitable life.
He renounced his riches and became disciple of Vyasa Raya who titled him “Purandara Vittala,” which became his signature. Then he is said to have composed 475,000 songs in both Kannada and Sanskrit.
He sang many rare ragas with the most beautiful lyrics. Tyagaraja’s praise in “Prahalada Bhakti Vijayam” is for him.
Purandara Dasa is believed to have systematized the early music lessons – Sarale Varase, Janti Varase, Geete, etc. and also chose Mayamalavagowla as the Raga to be used for these. He composed many devotional songs in Kannada known as Devaranama.
Purandara Dasa set the highest value on good conduct. The strength and greatness of Sri Hari’s name have been beautifully enshrined and sung in this world. People who do not know Sanskrit find it hard to understand the Vedas and Upanishads. But Purandara Dasa has explained the whole essence of these scriptures in simple Kannada and show the way that one should live.
He practiced in his life what he preached. It is important to note this aspect of his life. He gifted away all his wealth and lived the life of renunciation which he preached to others. Although he took to the life of renunciation and asceticism he did not desert his wife and children. He lived with them.
He made it clear to others by his conduct how it was possible to achieve purity of thought, word and deed regardless of caste, religion or creed. He did not believe that man could understand God by mere external purity unless it was accompanies by purity of mind.
Whatever Purandara Dasa says, the way he introduces it and explains it is very pleasant. His similes are very simple and telling. He compares wicked men to the knotted tree of thorns. He warns the non believers that life is being wasted at every stroke of the bell. When he saw a post man he sang ‘Kaagada bandide, namma Padumanabhanadu…” (a letter has arrived from Padmanabha.) He preached several moral precepts making use of familiar incidents like the postman delivering letters.
It was God’s gift that Purandara Dasa was able to preach, in simple Kannada, what is difficult even for philosophers to put across in a way which the ordinary people can understand. He left Ihaloka in 1564 at the age of 70.
Today is Sri Purandara Dasa Aradhane.

January 19, 2007 at 11:44 am
RK: Somehow when I got up today I KNEW you would have a post on this subject.. today being his “aradhane”…
Story goes that he has sung over 800,000 songs.. only a fraction of which we know now.. even Abdul Kalam talked about this and wondered how we can restore/find all his songs…
Even till today NO OTHER composition can match his “Bhagyada Lakshmi Baramma”…. the lyrics, the tunes simply the best.
September 15, 2009 at 10:26 pm
I want hariya neneya dantha lyrics , if u get pls send it
January 19, 2007 at 11:55 am
Great post!!!
We should have archives of this great demi-god so that future generations dont loose out atleast. If there are any such initiatives/libraries do post the same for general consumption pls.
January 19, 2007 at 12:01 pm
Yes I was expecting a descriptive write up by bellur on sri purandara dasa and yes it is out. dasarendare purandaradasarayya. a great composer and dasasahityda pitamaha who was a desciple of vyasayray and about 450 years back he has written things which are even today you can relate to day to day life
for ex:
satyavantarigidu kalavalla……. so many like this
sacrifice is key to achieve success and he has proved the success in bhakti marga is more important than success in your your normal life
purandara dasara mantapa in Hampe on banks of river tunga bhadra is a picture of calmness and the serene atmosphere you feel great if you spend time there.
purandara utsava is being celebrated there today and tomorrow
bellur a great tribute of a great santa sri purandara dasaru
January 19, 2007 at 12:40 pm
Dasa sahitya kannada sahityada ondhu pramukha anga. Purandara dasaru, kanaka dasaru mathu itararu needeiruva koduge apaara.
karnataka sangeethada lessons simplify maadi, ivattu yellarigu sangeethavanna kottantaha pitamahanige namana.
Hampe ille hatra iddidre
report kodabahudaagittu:)
Thx for the info bellur
January 19, 2007 at 2:59 pm
guru..
neenu bramhana na? i hvnt come across people writing about purandara dasaru till now!! i aint tryin to be racist here..but im just curious…are u a madhwa?
if yes, why dont yuo write something about madhwacharya?
-P
January 19, 2007 at 3:13 pm
Why just limit it to madhwacharya… why no Sri ramanaujacharya and Adi shankaracharayas too
January 19, 2007 at 3:41 pm
Madhwanavami approaching on 27th….Bellur , beku andre details koduve…PSG avre, olle suggestion.
January 19, 2007 at 3:45 pm
at appropriate time bellur right about all the three great saints of dwaita advaita and vishitadwaita all are great in their own
right now it is madwanavami and turn to usha and get the details act soon all the best
Psg: bellur avaru vishvakosha mattu brahmna srushti alva!!!
January 19, 2007 at 6:02 pm
vijay,
i’ve seen that your guesses are mostly correct!
have a lot of respect for sri kalam.
love the song ‘bhagyada lakshmi baramma’ as well as the movie with the same name. hilarious comedy by rajanna and balanna.
mohan,
your idea is good. a library will be really useful to all those interested. the ‘dasa’ movement spearheaded by the ‘Dasa Sahitya project’ of the TTD has spread to all corners in the southern states and maharashtra in the last two decades, promoting the ‘bhakti’ movement. the number of ‘bhajan’ troupes promoted by the project has swelled from a few hundred in the beginning to few thousands now. during the first ‘muktha balaga meet’, myself, usha, chaitanya, sanjay, shruti and srikanth saw women in ’sindhoor’ and turmeric coloured sarees and men in dhotis and saffron colour headgear dancing and singing ‘Hari sankeertana’ near palimaaru math close to kamath bugle rock. during religious festivities-particularly in Tirumala during ‘Brahmostavas` and ‘Metlotsavas’ these troupes are really eyecatching in their colourful attire. seeing thousands of these devotees singing the glory of the lord and dancing with abandon is a rare sight and great experience.
glad you liked the post.
praneshachar,
thanks for your comments. “dasarendare purandaradasarayya”. my mother used to say this a lot.
usha,
khanditha avaru simplify maadi makkalige bahala sahaya maadidru. missed your ‘Kannige katto’ report.
psg,
firstly, welcome to RwB.
jagatthe nanage “Guru”. naanu obba hulu maanava saar. olle salahe….khanditha bareyonanthe. keep visiting.
mohan,
good suggestion!
vani,
thanks. nimma mail check maadi.
praneshachar,
aacharyatrayara bagge barayakke prayathna padthini saar.
July 10, 2009 at 7:33 pm
Sir,
I need your email id… I would like to keep in touch and improve my knowledge…
This was an awesome blog with so much info that Im just not able to stop scrolling down… My email is madhoo1800@gmail.com and Im looking forward for your email…
Thanks,
Regards,
Madhoo
January 20, 2007 at 1:28 am
rk:
there is theory and then there is practicals.
can you list 20 purandara daasa kritis from your memory, i.e., without consulting a book or googling or … this is not a test, ‘cos i confess that i cannot come up with 20 myself.
i wonder how many people who commented above can! again, this is not a test but curious – when i learned classical music, most of the songs/geetas etc. i learned were in telugu and/or tamil. i doubt whether there was even one in malayalam, and yes, i did have ‘bhaagyada lakshmi …’ so there is one at least
.
even i can probably list, for better or for worse, way more by tyagaraja than by purandara dasa.
- s.b.
January 20, 2007 at 9:13 am
somebody,
in music, it is how well you sing that matters. if you can sing well with devotion, what more is required, alwa? but theoritical knowledge is also important.
remembered 40 devaranamas. here’s my list:
1. narayana ninna
2. bharathi deviya
3. jagadhoddharana
4. tharakka bindige
5. mareteyeno ranga
6. jaganmohanane
7. idu bhagya
8. aarige vadhuvadhe
9. venkatachalanilayam
10. ambiga naa ninna
11. pogadhirelo
12. devaki nandamukunda
13. gajavadana
14. isa beku
15. kandu kandu nee enna
16. hannu bandide
17. madi madi madi endu
18. gummana kareyadire
19. pillangoviya
20. mella mellane
21. sharanu siddhi vinayaka
22. amma nimma manegalalli
23. nara janma bandaga
24. karuniso ranga
25. udara vairagya
26. ragi thandirya
27. neenyako ninna hangyako
28. ramakrishnaru manege bandaru
29. makkala manikya
30. hanumana mathave
31. nageyu baruthide
32. krishnamurthy kanna mundhe
33. allide nammane
34. ranga baro
35. sakala grahabala
36. yarige yaruntu
37. anjije inyathako
38. sundaramooruthi
39. nandatanaya govinda
40. rama mantrava japiso
nice exercise first thing in the morning! thanks for the assignment.
May 22, 2009 at 8:12 pm
hi,
i need the songs which u have listed above.. i would be very kind if u suggest the website in which c can find all the songs..
January 20, 2007 at 10:35 am
Somebody,
If you have learnt karnatic music in Karnataka, you will find that the initial lessons are all from Purnadara Daasa….
The Pillari Geethes, Right from “Lambodara.. to Padumanaabha” are composed by this great saint.
In fact, the way we begin training, singing the scale in Mayamalavagoula was initated by Purandara Daasa. So as such, his contribution, though not stark, is very substantial.
And invariably the devaranaamas to be covered in the syllabus will be Purandara Daasa’s krithis. Since I have learnt in Karnataka, I am confidently telling you so.
And music is music…..divine and out of the world. each of them are stalwarts, geniuses in their own right and stand tall in their domains. Let us not compare each one’s contribution because each one is a giant by himself.
July 10, 2009 at 6:48 pm
Hi Vani,
I need your assistance… I am looking for the song Ramakrishnaru manege bandaru song… I learnt it when I was 5 yrs old so I dont have the complete proper lyrics… Can u pls guide and help me in this… Your information abt purandhar daasar was fabulous… I hope I wud be able to know more info abt this gr8 saint… Pls visit my website http://sites.google.com/site/notesnnotations/Home I wud like to add all the content and publish it…
Thank you,
Regards,
Madhoo
July 11, 2009 at 11:53 am
ramakrishnaru manege bandaru bAgilu tegiyirE
kAmadhEnu bandatAytu varava bEDirE ll
chenDu buguri chiNNikOlu gajjugavADuta
dunDu mallige muDidu koLalanUdi pADutA l
hinDu heNgaLa muddumuKada sobaga nODuta
bandu mADi bAleyoroDane sarasavADuta ll
makarakunDala neelamuttina bAvuliDutali
kankaNahAra tOLabandhi toDuge toDutali l
sukumAra sundaravAda uDuge uDutali
muKada kamala muguLu nageya suKava koDutali ll
hokkaLalli Ajana paDeda dEvadEvanu
chikka unguShThadalli gangeya paDedanu l
makkaLa mANikyaguru purandaraviTalanu
akkareyinda mukuti koDuva ranganAthanu ll
January 20, 2007 at 11:53 am
Bellur
olleya kelasa madiddira beligge beliggene.
vani
yes you are right each one is a legend and one should not compare at all
SB
whether you remember by heart or memory is not at all critical. I am surprised about your statement that how many
will learn these dasara padagalu in music yes as vani has put it in karnataka it is the order and all musicians who teach will certainly use many purandara dasara kruthigalu.
I have not learn music that does not mean that we should not have interest any how you can also see the comments
in this blog on Sri Tygaraja aradhane couple of days back and report of a devotee of our blog attending the same in sriranga pattana here none of us are biased with any one
I appreciate the concern all these young people are showing; for our culture music etc. etc., so really I am enjoying to be a part of this group.
my sincere request to you is please read the other and appreciate the real ntenetions of the people here
have a nice day and a wonderful weekend
January 20, 2007 at 11:57 am
Not only was the write-up enlightening to ordinary souls like me but so was the discussion here!
January 20, 2007 at 1:27 pm
I think, as far as music is concerned, language does not matter, only Bhava, Bhakti, Shruti and Sadhane. You cant call Thyagaraja’s Kritis as superior to someone else’s. Each is a gem in its own way. Thyagaraja is one of the Thrimurthis of Karnataka sangeetha, while Purandara daasa is the founder of one whole new concept of systematic learning of Karnataka sangeetha.
Devaranaamas are also an integral part of our classical heritage as is KeertanegaLu. Lets respect all of them, learn from their compositions.
Good post RK
January 20, 2007 at 1:38 pm
To add to the above comment, Purandhara daasa was a staunch devotee of the Lord of Pandharapura that is situated in Maharashtra, stayed for most part of his life in Hampi, learnt under Vyasarayaru, a Kannada saint, travelled all thru South India and spread Karnataka shastriya sangeetha. This classical form is practiced across Telugu, Tamil and Malayalee speaking areas too. We cant just restrict it to a language.
As far as continuance of Bhakti movement, there are so many Bhajan troupes, Mandalis, Dasa saahitya prachara samithis spread across Karnataka from Hampi to Bengalooru are doing a great job of spreading the awareness about our treassuresome daasa saahitya. These troupes keep organising “Mettilu utsavas” in some prominent utsavas and on some important days. They are conducted usually at temples on hillocks, all the members singing devaranaamas in unison, dancing for the tunes climb the steps. A leader usually clad in Purandhara daasa attire, will walk them towards the temple. Its an amazing experience to be a part of it. There are numerous attempts in maintaining these heritage aspects of history. As Thyagayya says “Yendaro mahaanubhaavulu… Andariki vandhanamulu …”.
RK, Meekoo vandhanamulu for this article
January 20, 2007 at 2:26 pm
vani,
yes, each one is unique and incomparable.
praneshachar,
thanks saar. wish you too a great weekend.
mysorean,
thanks a lot.
srik,
thanks for those insightful and informative comments. babu, meekoo vandhanamulu for reading & commenting here!
January 22, 2007 at 1:50 am
When speaking of Purandara Dasaru one must remember with gratitude the yeoman service of ML Vasantakumari in reintroducing him to public memory. We did have times when the Pitamaha of Carnatic music was indeed forgotten and this possibly relates indirectly to what Somebody has to say. But then as the great man himself said Adhadhella olithe aayithu, namma shridhara sevege sadhana sampatthayithu.
January 22, 2007 at 1:51 am
rk:
thanks for the quick response (though i am responding to that with a longer lag).
though it was not a test, you did turn in an excellent homework assignment and get an a++
.
as for me, my ignorance is well exposed now
. my apologies! though i learned those pillari geete (i don’t know why they are called that – and the little googling i did just now did not help – and i also did not know that they were called pillari geete until i read the comments here – i missed reading your reference in the tyagaraja aradhane post), i did not know that all of them were by purandara daasa.
so the score is:
everybody 1 – some body 0
having said that, i still maintain that in most concerts (all outside karnataka) i have attended, except for m.s.sheela’s, there have been minimal kannada songs and mostly telugu/tamil songs.
and while i agree that it is the bhakti that is important, how would you understand the bhakti in a song if you do not understand the language (unless you had a translation handy – and that would be difficult sitting in a concert)?
i am not saying that one musician is above the other or anything like that, just that it is difficult for me, as a kannadiga, to understand the majority of the kritis sung by artistes when they are all in non-kannada languages. having said that, i have to confess that i cannot understand 100% of all kannada kritis either!
anyway, thank you everybody for helping me out.
- s.b.
p.s.: i realized that i have heard/learned 16 of the 40 that you listed so, given enough time (and if i had known that those kritis were by purandara daasa), maybe i could have listed 20 kritis myself!!!
January 22, 2007 at 8:16 am
SB
Appreciate your concern and very happy to note about your frank statements. yes this has also come because you are a kannadiga.
so many SB’s only can make Everbody you are also inlcuded in that one. accepting what we were thinking is nor wright it self shows the worth of a Somebody. happy and yes outside Karnataka people will sing most of the songs in thelanguage of that place. In mumbai the same musicians will sing krithis in tamil/telugu if performing in Tamil Sangham or where audience comprises mainly from TN and AP. and if the same performance is in Mysore Sangha or Karnataka Sangha or in A sri Raghavendrasway Math they will go mainly covering kannada songs it is natural you have to be Roman when you are in Rome.
a Very nice discussion which helpe me to learn many more things.
When we are critisized only we can improve.
January 22, 2007 at 11:06 am
Very enlightening discussion here, beLigge beLigge, tumba khushi aithu
as pranesh sir stated, lot of musicians have to practice to be roman in rome. survival yenu madakkagalla.. ellaru maaduvudu hottegaagi
Tumba kade sangeetha paata heLovaaga ( This happens where music classes are conducted for mass) Lyrics bagge, language bagge, sahithya rachane madidavara bagge poorNa mahithi kododilla
. When no such details are provided, over a period of time, we tend to forget the contributor itself.
Sampradaaikavagi gurukula paddathi use madi paata daaga , all these information will be passed on to the next generation qualitatively.
My many many thanks for all information providers here.
Thx RK for list of songs, i can use this list for our house aaradhane
I remembered songs giLiyu panjaradoLilla , yellaru maaduvudu hottegaagi, aacharavillada naalige, hendathi praNa hinduthi, udaya kaladoLeddu gada gada naduguta snanava madidarenu phala
January 22, 2007 at 3:14 pm
Wow!! great post, RK
January 23, 2007 at 9:51 am
shashi,
true, MLV and even RK Srikantan reintroduced several Dasara Padagalu. thanks for commenting.
sb,
knowing the meaning of a song helps.
would like to hear you sing.
thanks for the A++!
praneshachar,
this is the case usually.
want to share this funny incident that took place long back:
it seems at a concert at Shanmugananda Hall in Bombay, Chembai was performing. a member of the audience, who had heard musicians sing songs on madurai meenakshi, kanchi kamakshi, kashi vishalakshi and so on, asked chembai if he could sing a song on “Bombay”. chembai, with a mischievous twinkle in his eye, said he could. he went on to sing “Aadu Baambae, Nalidadu Baambae”.
usha,
absolutely true.
glad the list is of some use.
prashanth,
thanks.
January 23, 2007 at 3:51 pm
I remember M.S rendering ‘Jagadhodharaana’ and tears rolling down her eyes as she ended the song, at a friends house in Delhi. She narrated the life story of Purandharadasa after that…….
The sad part is that, many of today’s musicians learn music like a technical form of knowledge. Very few who understand the deep philosophy and sing with that ‘bhaava’. Now a day’s its all a big rush to finish the course, get ceritficates , become all india radio graded artistes, open schools, and make money……
January 23, 2007 at 4:04 pm
I didn’t read the post(since it was quite long!
)…
The comments gave me more details about how it is..
Purandara daasa is liked by more because of his simple language used in the geethe/keerthane/daasara pada etc. His philosophy are very straight forward & simple & true. No need to worry much to translate or transliterate
Anubhavada adugeya maaDu, is one among the nicest of his, I like ‘neecha buddiya bidu naalige’ etc.,
Vijay Sai, there is a reason for all that. If you see the list from akshavaNi to become a B grade or A grade artist, they would ask all that you listed. some take this as profession to earn their daily bread
Overall, Music is just enchanting truth!!
January 23, 2007 at 4:06 pm
Recently got ‘Daasara padagaLu’ CD from MS.. Jagaddodaarana adisadaLeshode is the first song.. True, tears rolls down when you hear it.. I can imagine how does one feel when they really sing it..
February 23, 2007 at 9:24 pm
Saw this only today. Was really very educational bellur, made me read it several times and reflect on it. I feel truly inspired to go deeper into daasara padagaLu. Incidentally, I’d recently bought a kannada booklet containing his verses.
Really looking forward to keertane concert this Sunday.
I was touched by the way he changed his heart. It is amazing no matter how much we understand intelectually, how our hearts can be like concrete
Such a change of heart can come by most unexpected circumstances! One may be sharp witted and a real genius, but he still cannot find any peace if the concrete walls around the heart that keep it in darkness are not broken down! Thank you Bellur, this post helped me removed one more brick!
[Veena: would suggest you read the post if you've still missed it]
March 2, 2007 at 2:55 pm
[...] some of those ’80s ads?Sudha Magazine: Three Special IssuesLogo Quiz: AnswersVisit to Ahobila – IISri Purandara Dasa (1494-1564)Cricket World Cup 2007Remember the old Liril [...]
March 15, 2007 at 9:50 am
Hi All,
I came across this link while looking for info on Purandara Dasa. I learnt a lot by reading this write-up. Thank you so much. However, I have a small question. I became aware of the existence of a song called “Shobane” sometime ago. Tried googling and I came to know that it was authored by Sri Vadiraja Swami of Udupi Sri Sode Mutt. (Hope I got the right info). That’s all I know about it. Would be glad if anyone could give me more info on the same (I’m looking for info about the Raga, Tala and Lyrics of this song). I haven’t even heard this song, so a link to an online rendition would be great!
I don’t know if this is the right place to post my question, so if this doen’t belong here, feel free to remove my post.
Bye,
Asmitha.
March 15, 2007 at 11:41 am
Asmitha,
Firstly, welcome to RwB. Thanks for your interest in knowing more about the song. I tried gathering some info about Lakshmi Shobhane. Hope you find it useful. Here it is:
Visit Udbhava.com
Go to Bhakti Geete page
Click on Dayamaado Ranga – Shri.Vidyabhushana
You can listen to Shobhane Haadu (7th song in the list)
The Hindu writes:
Brindavana Enterprises (No.8, Gangai Amman Koil Street, Royapettah, Ph: 2811 3470) has released a new cassette in Kannada, Sri Sri Srimadvadiraja Virachitha `Lakshmi Shobane’ sung by Chennai Sisters S. Vedhika and S. Aishwarya. The devotional sung in two parts, one on each side of the cassette, is lilting to the ears. Music is by S. Vijai Shankar.
Also note that there is Cassette/ CD available with Sangeetha Recording Company, Bangalore titled ‘Lakshmi Shobane’. Unable to remember the singer. (I guess it is Madhura Satyaraj). Incidentally, at the dawn of the millenium, yours truly designed the cassette & CD cover with Sri Vadiraja’s picture on the cover. I remember hearing ‘Lakshmi Shobane’ sung in Ragamalika.
Lakshmi Shobhane Song (Courtesy: http://www.dvaita.org)
When we look into the composition and Haridasa literature of Sri Vadiraja Tirtha he has always given ancient and historic touch to worldly or mundane practices. This work is one such effort where Sri Lakshmi Devi wedding takes place with Sri Hari and it is called Sri Lakshmi Shobhane Song (auspicious wedding song). In Southern India singing a Shobhane song on the occasion of wedding ceremony is very common and it is the practice of ancient folklore. Even today any initiative towards marriage or wedding starts with Shobhane song and continues till the end.
As the name stands the theme of this work is Sri Lakshmi Devi’s swayamvara ie elelction of husband. The story starts with Sri Lakshmi Devi who appeared in Milky ocean (kshirasagaradi Lakshmi uddarisidalu..). The other explanations goes like this: one who has conch-shpaed (kambu kanta) neck with shining Mangalasutra (marriage badge worn around the neck by wife), making sound from kalungura (ring worn on the second toe) stepped in to the Swaymvara mantapa (stage). Sri Vadiraja also says that Sri Lakshmi Devi is not born and she has only incarnated (lakshmige idu janmavalla; avatara mathra). For Lakshmi except Sri Hari all others are like her children.
In this composition Sri Vadiraja explains the incidences of wedding of Sri Hari with Sri Lakshmi. Few of the incidences goes like this Sri Lakshmi Devi herself doing ‘uruTane’ ie a play of newly married couple where in the bride will rub the sandal powder to the body of her husband. (lakshmiramananige madidalu uruTAne), Krishna being tied up to the door by Bhama (bhurinigamava kadda chorana daitana gedda) and complete dashavatara is explained in arathi ie ceremony of waving coloured water or burning lamp.
Sri Vadiraja Tirtha also explains very nicely when Sri Lakshmi walks through the rows of Devataas who were sitting for the wedding reception. When she puts forward each step and sees devataas sitting and she recollects one is son and another is grand son (obnavana maga mattobnanva momma obbana vanige shanAha obbanva horuva..) like this all Brahma, Vayu, Rudra, Shesha Garuda hierarchy which is being narrated according Madva’s taratamya and finally she remembers Sri Hari (ku.ndellsttillada mUku.ndane tatage.ndu In.dere pathiya nEnEdalu..). She selected Sri Lakshmi Narayana’s incarnation because of his omini good attributes attached to him and Sarvottamatatva (avana.ngusttava toleda gan.ga devi pAvanalEnisi mErEyale jivana sErida pApava kalEyolu yI vAsudEvage yeNeyu.nte).
Sri Swamiji explains that on putting the flower necklace to Sri Hari, Sri Lakshmi Devi became Sri Hari’s bride. Then Veda Manthra’s (hymns) and auspicious sound were made through the instruments like bells, Jagate, Drums etc. are made in this occassion. All devataas are feeling happy and showing their pleasure by getting the tears in their eyes. Sri Narada with his tambura gave his concert and near ‘hase’ (place where bride and bride groom were made to sit) and for arathi all muthaide’s (woman whose husband is alive) were running around.
All auspicious womens (muthaide) brought Sri Hari to the place of wedding called ‘hasemane’ (wooden plaque) by singing and prasing Sri Hari as Sheshashai (one who is sleeping on the top of Shesha), doshararahita (one who does not have any flaws) etc. Ganga, Yamuna, Saraswathi, Bhagirathi were waving the pearl (mutthinaarathi) arathi by telling davala (conch) song.
In the normal circumstances all newly weds will bow to elders and teachers but in Sri Lakshmi’s wedding all devataas who have come to the occasion were bowing to Sri Hari and Sri Lakshmi and taking their blessing by giving presents. Sindhu Raja who is the father-in-law of Sri Hari and Sri Lakshmi’s father has arranged auspicious lunch with Amrutha for all devataas and invitees. At this time Sri Krishna who has incarnated as Sri Hari expecting trouble from Asuras/daitayas has shown his Mohini incarnation to them. This is very rare and humourous moments (because beautiful women marrying another beautiful women) which Sri Vadiraja has narrated very well and Sri Lakshmi Devi was surprised and astonished to see Sri Hari’s Mohini’s character (tanna sU.ndaryadi.dunna.tha mayavada lA avnYandi mereva nijapathiya hennu rOpava ka.ndu kanyE mahalakshmi yiva ganyrYake.ndu beragadalu..).
On completing the marriage all devataas and invitees started proceeding to their destination and Sindhu raja has given all of them respective presents for coming and attending the wedding. He has given his own palace to his son-in-law i.e. Sri Hari and asked him to stay as for ever as household son-in-law.
Though Sri Vadiraja ends the explanation of Sri Lakshmi Devi’s wedding in 107th stanza he continues another 5 songs explaining about the composers name, benefits out of hearing and singing this song etc.
In each and every aspect of the song Sri Vadiraja has explained and narrated Sri Krishna’s divine nature, Sri Hari’s Sarvottama nature, Sri Hari’s lilas/plays in all incarnations etc. He also gives the explanations of Madhva Tattva within the framework of Sri Lakshmi Devi’s wedding which can be understood by a commoner or layman. Sri Vadiraja has also shown his devotion in explaining Sri Lakshmi’s high view about Sri Hari and Muthaide’s blessing Sri Hari while waving arathi.
In Madhva community this song is very auspicious on all wedding occassions. If any body sings this song on Shravana Masa especially on Fridays it is considered to be very sacred.
There is story behind this composition by Sri Vadiraja. Arasappa Naika is devotee of Sri Vadiraja and his son-in-law was died on the wedding day in the marraige hall. To bless his devotee Sri Vadiraja has composed this song and sung on this occassion. After that devotee son-in-law was alive and his daughter attained valebhagya (jewel which is weared by the ladies in ears) and managalyya bhagya. Based on these assumption also all Madhvas sung this song before and during the wedding time. It is also assumed that all bride and bride grooms are in the form of Lakshmi and Narayana to bless them, to wish them and to protect them this song is sung. There were words like rakshisale namma vadhuvarara, salahali nammma vadhuvarara, palisale namma vadhuvarara.
It is also presumed that by singing this song on the occassion of wedding bride and bride grooms life will increase and they will live happily and peacefully. This composition of Sri Vadiraja has become very popular because of the above reasons and also stands high as for as the conveying the message and understanding the things in a better way.
Benefits of hearing or reciting this song are many folds. Girls who are unmarried are believed to get good husband and have a prosperous life and believed to increase the prosperity in general of the home that listens or recites this song. It is also believed that listening or reciting this song always is bound to increase of good things (mangala karya).
March 15, 2007 at 2:15 pm
Oh wow! I’m bowled over
Thank you for welcoming me to RwB, for getting back so quickly and for all the info (which is definitely an interesting read).
Incidentally, as soon as I posted the question, I came across Udbhava.com!
Bye,
Asmitha.
March 15, 2007 at 4:32 pm
asmita
you asked a very good question. thanks a lot
now our Bellur has thrown so much light on this in short span of time unbelieveable.
he is like you ask hit he will give it type
thanks bellur for; lwonderful write up and links
lakshmi nimage shubavannu tarali shubhavagali
nimagu nimma kutumabakku
April 13, 2007 at 9:27 am
Can any one please send me the lyrics of AacHara VilladHa NaliGe niNna NeCha Budhi …..
to my mail id shreenath.giri@gmail.com
April 13, 2007 at 10:06 am
Srinath,
Thanks for visiting RwB.
You can listen to the song ‘Acharavillada Naalige’ here:
acharavillada naalige
lyrics:
acharavillada naalige
ninna neecha buddhiya bidu naalige
vicharavillade parara dooshipudakke
chaachikondiruvantha naalige
praathahkaaladoleddu naalige
siripatiyennabaarade naalige
patita paavana namma ratipati janakana
satatavu nudi kandya naalige
(acharavillada naalige)
chaadi helalibeda naalige
ninna bedikombuvenu naalige
roodigodeya sri raamana naamava
paadutaliru kandya naalige
(acharavillada naalige)
hariya smarane maadu naalige
narahariya bhajisu kandya naalige
varada purandaravitalarayana
charanakamalava nene naalige
(acharavillada naalige)
April 13, 2007 at 3:53 pm
Can any one, kindly give me Bhavartha of a kriti “Allide nammane Illi bande summane” ? Especially for the 1st stanza ?
Thanking you
Shashidhar
April 13, 2007 at 4:44 pm
Shashidhar,
From what I have heard in discourses and read in philosophy related books, our lifetime requirement is to return to the Brahma Loka. Purandara Dasa said, “Allide Nammane, Illi bandhe summane” meaning “I am here in Ihaloka (Bhooloka) but my real house is the Vaikuntha (Vishnu Loka).”
We are in this house (body) as leaseholders. We seek refuge in the benign form of the Lord who resplendently resides in our heart. Our concentration to Him must be like an unwavering light illuminating, steady and constant.
In these times of wealth chase and success chase, everyone feels at one time or the other that there must be a higher meaning to this existence and that a greater force must be leading them throughout. Even a hard-core non-believer would get this thought. We have to understand that our body is the temple in which the great God resides. That is why we want our body to be pure and clean so that it is a fit place for Him to reside. Many call the body as Shiva (energy) but once that Shiva leaves the body, it is nothing but a Shava (dead body). So, in the short time you have on earth, do some good. Help the poor and the needy.
Everyone has a right to worship the God in his/her own way. I pray that we follow the oath of peace. Let us not force our principles on anyone else. Let us keep our boat in balance and not try to cause imbalance in others’ boats.
Hope you found this useful. Thanks for the query.
Regards
RK
April 16, 2007 at 9:53 am
Kindly sent me the lyrics for “Allide Nammane, Illi iruvudhu summane”
Thanks in Advance
Srinath
April 16, 2007 at 10:13 am
Hi Good Morning Sir
Please kindly send along with “Allide Nammane, Illi iruvudhu summane”
and the lyrics for this song too “Biduvenenayya Hanuma”
Thanks in Advance
Srinath
April 16, 2007 at 10:17 am
allide nammane illi bande summane
kada bagilirisida kalla mane idu
mudadinda loladO sullu mane
idiragi vaikuntha vAsa mAduvantha
padumanabhana divya baduku mane ||Allide||
mAligemaneyendu nechchi kedali beda
kElayya harikathe Shravanangala
nAle yamadootaru bandeledoyvaga
mAlige maneyu sngada baradayya ||Allide||
madadi makkalemba hambala ninagEko
kadugobbuthanadali mereyadiru
odeya sri purandharavitthlarayana
drudha bhaktiyali nee bhajiselo manuja ||Allide||
I hope you find this is ok
Shashidhar
April 16, 2007 at 11:19 am
Hello srinath,
I have given the lyric for “Allide Nammane”. Also one senior monk of Ramakrishna order by name Swami Purushottamanandaji Maharaj has composed a tune ans sung in a heart touching way. The cassete or CD can be purchased from the any Ramakrishna Maths of Karnataka. He has sung many more kritis of sri purandhara dasaru.
Other one I try to get it for you.
Regards
Shashidhar
April 16, 2007 at 11:29 am
Dear rk sir pranams to you.
Thank you for your bhavartha for the kriti “Allide Nammane”
But still some grey areas are there. In what context sri purandhara dasaru call the worldy house as “Kada bagilirisida Kalla mane” and “Mudadinda loladO sullu mane” ? Can you kindly throw more some light on these ?
Regards
Shashidhar
April 16, 2007 at 11:33 am
Thank you very much Sashidar
April 16, 2007 at 2:16 pm
The first line of a kriti of sri purandara dasaru goes like this “Huvva taruvara manege hulla taruva | Avva lakumi ramana Ivagilla garuva”
I will be very much thankful if can get the meaning of “Huvva taruvara manege hulla taruva”
Regards
Shashidhar
April 17, 2007 at 8:24 am
shashidhar,
i am happy that you are interested in knowing the meaning of these devaranamas. but i suggest you ask a scholar or someone learned in the vedas, coz i am just a simpleton interested in learning the meanings.
by saying that the world we are living in has “kada baagilirisida kalla mane, mudhadinda lolado sullumane”, what purandaradasa means is that this world (ihaloka) has a lot of worldly pleasures (artificial pleasures) in which we are caught up. we need to open the door within ourself to see the god present in each of us. the sharira can also be described as “mane”.
he says that mane (sharira and house both), hendathi, makkalu none accompany us to the other world. we need to turn away from worldly pleasures and turn towards god by opening the spiritual doors and windows within ourselves.
please let me know if i have erred in my understanding.
best wishes
April 17, 2007 at 8:25 am
hoova tharuvara manege
hoova tharuvara manege hulla tharuva
avva lakumiramana ivagilla garuva
ondu dala sritulasi bindu gangodakava
indira ramanagarpitavennalu
onde manadali sindhushayana mukunda ene
endendu vaasipana mandiradolage
paripariya pushpagala paramatmagarpisi
paripurnanendu poojeyanu maade
parama aasaktiyali poojeyanu maadidare
sari bhaaga koduva thannaramaneyolage
pandavara maneyolage kuduregala thaa tholedu
pundarikaksha hullanu thinisida
andajavahana sri purandara vitalanu
thondarige thondanagi sancharisuthihanu
April 17, 2007 at 8:32 am
shashidhar,
‘hoova tharuvara manege hulla tharuva’: as we all know, during the kurukshetra war, krishna was the charioteer for arjuna. he helped the pandavas win the war.
during the kurukshetra war, when the day’s fighting was over, arjuna and all the others rested, but the Lord comforted the horses and groomed them. such is the concern that the Gitacharya has for all creatures, none so insignificant or lowly that they do not get His attention. indeed it is as a result of His compassion that he appears in Tiruvallikeni with a sword tucked away in His hip. this sword is not a weapon of war in the conventional sense, but it is to drive away our ignorance. Lord Venkatakrishnan also has a moustache, which for all its thickness and the upward curl does not detract from the benignity of His appearance.
bhakthi emba ondhu hoovu arpisiddakke, bhagavantha pandavara manege hullu thandhu seve maadida.
pandavara maneyolage kuduregala thaa tholedu
pundarikaksha hullanu thinisida
yeno nanage thilida mattige arthaisalu prayathna maadiddene. thappiddare kshame irali.
nimmava
rk
April 17, 2007 at 10:55 am
Dear rk sir,
hull taruvara…. emba kirtanege olle artha kottiddeeri.
kada bagilirisida … idakke sundaravagi arthaisiddeeri.
eega sullu mane annuvudu takshana artha agutte. idu nijavada mane alla. nijavada mane allide. Sari. Adare ee mane kalla mane yakagutte. kaddu sampadisiddare aga kalla mane annabahudu. idu hege kall mane ayitu ? Obba Ramakrishna mathada swamigalu omme heliddaru. eega marethu hogide. Avaru sullu maneyalli eega illa. alliruva nijavada manege hogibittiddare. avaru bahala sundaravagi haduttiddaroo kooda. adhyatmika kambhakke nammannu kattihakidde avaru, tamma sumadhura gayanada moolaka.
Dhanyadagalu.
April 17, 2007 at 11:12 am
shashidhar,
thanks for your lovely insightful comments.
wrt your doubt, let me try again:
“kada bagilirisida kalla mane idu”: namma shariradalliruva kallaru andre lobha, moha, mada, maatsarya, kaama krodhagalu antha helabahude? avarellaru namma shariradalli kitki-baagilige bolt haakkond koothidare. aadhyatmada baagilannu tegeyakke bidtha illa ee kallaru. sullina lokavanne anubhavisu annuttiddare.
please throw more light on this sir.
wonderful having you here. please keep visitng and share your wonderful experiences and knowledge with us.
April 17, 2007 at 10:10 pm
Anoraneeyanaa, Mahatomaheemana,Jagadodharana .
Eee charanada sookshma haagu ghadartha tilisidare naanu dhanya .
April 19, 2007 at 9:27 am
dear rk-ji,
Nanna anubhavavannu ( wonderful experiences ) hanchikolluva bayake.
Eegaagale tilisiruva haage, swami Purushottamanandaji Maharaj , ramakrishna mathada obba hiria sanyasigalu, avaru adbhutha mattu bhaktisinchita gayanakke hesaruvasiyagiddaru. avaru parasthaLadinda baruvudu hegO bhaktarige tilidubidutittu(Bhaktara networkninda). bhaktara ondu jaatreyE neredubidutittu. Houseful !!! avara gayanadinda prabhavitaraagi tanmoolaka ramakrishna mathada bhaktaradavariddaare, illa sanyasigalagibittiddaare. hAge bhaktarAdavaralli nAnU obba. nAnu yestO sala avara gayana kElutta kElutta yede bharavagi anandada kanneeru surisiddU untu. Yava visheshavada vadyagalu illade, kEvala harmonium mattu tabalagaLondige adbhuthavAgi hAdibiduttiddaru. hAge prabhavithanAdavaralli nAnU obba. omme avaru hELiddu “sangItha chamatkarada pradarshanakkAgi alla, BhagavatsAkshAtkArakkAgi”. avara gAyanavannu kEliyE nanna mAtannu arthamAdikOLLabEku
Shashidhar
April 19, 2007 at 1:45 pm
shashidhar,
beautigfully said.
can’t wait to hear sri Purushottamanandaji.
nimma anubhavagalannu innu hecchu hecchu hanchikolli sir, odhidavarige olle maargadarshana sigatte.
April 23, 2007 at 8:28 am
entha olle ukthi. intha amoolya anubhavagalinda manushyana kannu tereyuttade.
April 23, 2007 at 8:29 am
jyothi,
very true.
April 24, 2007 at 1:58 pm
Omme Swami Purushottamanandaji avaru ondu satsangada karyakramadalli sri purandhara dasara “Yamanyello kAnenendenabEda yamane srI rAmanu sandEha beda” annuva kritiyannu hadutta, “yaradarU ayushya kaledu deha bittare aLuvudu Yake ? avaru hogiddu Ramana hattira allavE ?
yake endare yamane ramanu allave? ee hadannu kEli” andaru. dasara ee kriti yestu samadhana taruttade. arivu moodisuttade. ee haadannu agaagge hadikollutta iddare namage savina bhayave illavagi Paramatmana mattu namma sambandha hechchechchu gatti yaguttade allave ?
Shashidhar
April 24, 2007 at 2:17 pm
Jyothi avare,
nimma ‘Anoraniyana Mahatomaheeyana … ” ennuva
charanakke heege arthaisabahudeno !!
illi dasaru bahushaha paramatmana shakti ( Capacity ) annu varnisiddare yendu annisuttade. Avanu anuvinalli anuvu agaballanu haagU mahattiginta mahattU Agi tOraballanu. Sri Ramakrishnaru hElida matina sarAmsha: Omme Naradaro inyarO obbarige bhettiyAdaga kElidarante. ‘Swalpa hottina munche bhagavanta yEnu maduttidda?’ adakke avaru uttarisidarante: avanu sUjiya kanninalli onteyannu hogisuttidda’. andare avana leeleyannu avane artha madikollaballa. avanu yEnU madaballa. obba bengali kavi hElida hAge ‘tAyi durgeya nijavanariyuva dhIrAru jagadolu. Aru darshana vEda shAstra purANavariyadu avlanu’
Ondu vEle nimage sariyada artha sigadiddare chinte bEda. bhagavantanannu nimmavanendu summane preetisuttA iri. avanE tannellavannU tilisikottubiduttAne ondu divasa. idu summane hElida matalla. Sri Ramakrishnaru hElida matu. satyasya satya. swalpa mattige nanna Anubhava kooda.
Shashidhar
April 24, 2007 at 8:10 pm
thanks a lot shashidhar.
Eee thara ondu satsangadinda dorakuva anubhavavo kooda anoraneeya, mahatomaheya. Monne taane malleswaradalli Vaalmiki Ramayana pravachana mugiyitu. Munde enu emba chinte aagittu. Yadbhavam, tadbhavathi enno haage nimma uttara kooda banthu. Eega nemmadi. Manassige bandaagalella a leelevibhootiya kathegalannu odutha kalakaleyabahudu through this. Ide good morning ede good nite.
Ondu prashne, Kangalidyatako kaveri rangana nodada yaara kruthi. Yakendre kadeyalli rangavittla anta barathe. Purandaradaasara ankitanama purandaravithala. Tumba confuse aagide., Dayavittu tilisiteera.
Dhanyavaadagalu.
JAI SRI RAM
April 24, 2007 at 8:19 pm
shashidhar,
Neevu helida ellavoo eshtu arthapoornavaagide. Aaa haadinalli daasaru heluva maatu eshtu sathya.
Nambida vibhishange mitranaada.
Nambadidda Ravananige Yamanaada.
Nijavaagaloo Daasarendare Purandaradaasarayya
April 25, 2007 at 8:51 am
shashidhar and jyothi,
thanks a ton for your lovely comments.
nimmibrigu aadhyathmada kade eshtu aasakthi antha nimma comments odhi thilithu.
jyothi,
me too attended all the 22 days of “sampoorna ramayana” lectures by sri ramayanacharya at hymamshu school. was really refreshing each evening to listen to the great scholar.
rama pattabhisheka mugidaga, kannalli santhosha haagu dhuhkhakke neeru thumbkondthu….pattabhisheka aada santhoshakke matthu lecture mugiyo bejarige.
neevu paalgondri antha keli santhosha aagtha ide.
April 25, 2007 at 7:37 pm
Great rk. Naanu nimmanna nodidre tumba tumba santoosha aagtittu. Edaralli sigo sukha nitya nootana hagu nity chetana. Acharayaru helida haage Ramabhakti akshyavaaggali. Naanu Akshya tadige dina enu togonde gotta. Ranganatha sharmara full volumes of Vaalmiki ramayanada pustakagalu. Ee pustaka collection innoo jaasti aagi nimanthvara jote naana anubhavagalannu share maadikollo avakaash aa seetarama inno hechu kalpisikodali
Sree Rama jayam
April 26, 2007 at 8:18 am
wonderful jyothi. and me bought some books of sri narayanacharya on akshaya tadige.
pustaka priyaranna nodidre santhosha aagatthe.
nimma anubhavagalanna odhalu kaatura.
ninne sanje daasara padagalanna haadtha idde. ‘hariya neneyadantha narajanmaveke’ haadovaga “sri narayanacharyara lectures mugidu hoytalla” antha bhala bejarayathu.
intha satsanga namage bhagavantha innu hecchu hecchu karunisali antha praarthane.
April 26, 2007 at 11:12 am
Jyoti avare,
nannalli labhyaviruva mahitiya prakara ‘kangalivyatako kaverirangana nodada’ kriti Sripadarajaswamigaladdu.
rk avare,
nanna Igina bayakeyoo “yAra sangadinda jaganmAteya matruprEmavannu saviyuva hambala hechchechu Agutto athava iruva hambala kadime aguvudillavO antha sanga bEku”
May Mother shower her choicest blessings on you all
Shashidhar
April 26, 2007 at 8:52 pm
Thanks Shashidhar,rk.
Raatri nimma anisikegalanna odidre tumba hitavaagi irate.
Last week naavu Srirangapattnakke hogidvi. Ranganna nodi Kaveri teeradalla sanje ilibisilalli kootu Aruna sairam avaru haadiruva Kangalidyatako kelta kelta mai maretvi. Adaralloo HARI PAADODAKA SAMA KAVERI
VIRAJANADIYA SNANAVAMAADI kelta kelta kannu tumba neru bandu maiella hagura ayitu. Entha shakti ideyappa ee bhakti sangeetagalalli. Ninne ellaa aa hadanne gunugusta idde. eega koda aa hadanne haadta bareeta ideeni.
Jai Sri Ram
April 27, 2007 at 12:36 pm
nijavada bhakta bhaktiya parakaaSteyalliddaga Aduva mAtu:
dAsaru ranganige ANe hAkuttAre. hAgeye idu obba bangaLi bhakta-kavi jaganmateyannu kuritu Adida mAtu.
hagalirlU Sri durgAnAmava nechchi
tElutaliddaru tappadE duhkhavu
E bAri nAnilli muLugidarantU
japisaru innArU ninnaya nAmava
Bakta tAyiyannu illi hedarisuttirlU bahudu aTava mAteyannu japisi yEnU Pala sigadiddare japisuvudAdarU yAke. Adare illi Pala sigadE iruvudu sAdhyavE illa annuva oLa arTavU irabahudu
hIgeye basavNNanavaru ondu vachanadalli hELuttAre:
huttisuvAga nannannu kELi huttisalilla I jagattinalli. adu sAladembante nannannu kai hiDidu nadesuvudannu bittu nannannu bILagotte. ida kandu jana nimmannu nagAdikoLLuttAre sangamanATa. nannannu shivapaTadalli hOgalu bidadiddare nimma shiva sharaNara munde nimma bagge kUgi hELuttA iruve.
innobba Bhakta jagadrakshakanAda Sri hariyana rakshaNege dhavisi yAva yAvudO hAdugallnnu haDuttAne.
hIge naDeyutte Bakta – Bagavntana leele
Shashidhar
April 27, 2007 at 2:24 pm
jyothi,
kaveri theeradalli rangana naama smarane! amogha! intha rasasvaada maadida neeve dhanya.
shashidhar,
fantastic comment!!
basavannanavara vachana eshtu adbhutavaagide! bhagavantha-bhakthara sambhandha thilidu bhala kouthukavaagide manassu. innu hecchu thiliyuva aase. dayavittu innashtu vivarisi sir.
dhanyavadagalu
rk
April 30, 2007 at 11:09 am
omme Sri RamakrishNaru bhaktarondige mAtanADutta hElidarante:
“nAnu jaganmAteyalli bEdikonDe. amma ella ShAstravannu vEdantavannu neene nEravAgi tiLisikottubidu. yAva guru mukhEnavoo bEDa”.
nanna anisike:
namage siguva guru manushya roopinavaru. avarige avaradE Ada iti miti iruttade. avaradE Ada anubhava viruttade. Addarinda avara anubhavada baNNadalli avara vichara kANuttade. avaru sariyAgi arthaisikondiruttAre yennuva khAtari illa. anthA avatarapurusharE hAge hELida mEle nammanthavara pADEnu ? namagiruva Ekaika mArga endare japa japa japa hAgU nAma sankIrtane, ivugaLa mUlaka avanannu hechchechu GhadavAgi prItisutta avanodige GhaDhavada sambandhavannu beLesikoLLuvudu. Aga avane tannellavannU tiLisikoDuttane.
Shashidhar
May 8, 2007 at 1:37 pm
shashidhar.
Neevu heluvudeno sari. Aadare naavu ashtu bhagyapadedukondu bandiddeeva? Devare bandu tanna bagge tislisidare adnnu artha maadikollu shakti namagideya. Sri Krishna tanna viswaroopavannu torisidage avana aaptta sakh arjuna koda hedari nanage ninna eradu kaigalu, kireta haago ninna chksudvya darshna ssaku antane.Naavu eshtu sannavaralva avra munde. Namage devara swroopa tiliyalu obba acharya beku. Devare avarannu kalisida annuva nambike dridavaagi namage barabeku.Haagidre maatra naavu swalpavaadaroo avanannu teliyabahudu anta nanna anisike.
May 9, 2007 at 11:11 am
HI
can anyone zsend me the lyrics of the song kandu kandu nee enna
My id is :
loksmar@yahoo.co.in
May 9, 2007 at 11:37 am
yogeshwari,
here is the lyrics for the devaranama “kandu kandu nee enna”:
***
kandu kandu nee enna kai biduvare krishna
pundarikaksha purushottama
bandhugalu enagilla badukinali sukhavilla
nindeyali nondenai neerajaksha
tande taayiyu neene bandhu balagavu neene
endendigu ninna nambideno krishnayya
kshanavondu yugavagi trunakkinta kadeyagi
enisalagada bhavadi nonde naanu
sanakadi munivandya vanajasambhava janaka
phanishayi prahladagolida sri krishna
bhaktavatsalanendu birudu pottamele
bhaktaraadhinanaagirabedave
muktidayaka neenu honnuru puravasa
shakthaguru purandaravitala sri krishna
***
May 11, 2007 at 10:42 pm
Thanks for the info
Ganesh_gcg@yahoo.co.in
May 12, 2007 at 11:53 am
thanks for dropping by ganesh. take care.
May 15, 2007 at 3:51 pm
Jothi avare,
neevu hELida “obba acharya bEku” annuva mAtu tumba tumba satya. adakkAgi nAvu mAdabEkAddishte. obba guruvininda mantra dIksheyannu padedu sAdhane mAduttA hOguvudu. illi yAva shortcut illa. I kaliyugadalli nAvu mADabEkAddishte. nAma japa mattu nAma sankIrtane. obba mahAtmaru hELiddarante. “bhagavantanondige mAtanADuvudannu kali, avanondige harate hodiyuvuddannu kali, ondu vELe yAra baggeyAdarU dUrabEkAdare avanige dUrannu koDu.” avanannu ninna prema tumbida tande athava tAyiyante BAvisu ityAdi. guru namage Bagavantanannu kANalu pass port idda hAge. dEha managaLannu avanige arpita mADi prEmadAraDhanege manva salisuyendu Sri Ramakrishnaru hELuttAre. allade idella ondE janmadalli aguvanThadalla. I janmadalli yelliyavarege sAdhane mAdalu sAdhyavAguttO, mundina janmadalli alllinda namma sAdhane munduvareyuttade yendu Sri krishNanE Geeteyalli hELiddAne.
ottinalli avanannu athava avaLannu namma swntadarendu BAvisuttirabEku. yadBavam tadBavati. namma nitya karmagaLannu tappadE mADabEku. Ramakrishna Ashrama muntAda pavitra jAgagLige agAgge BEti, satsnga idannella mAduttirabEku. omme kuvempuravaru avara makkaLige hELidarante “Ashramakke vishEsha sandarBagaLalli hOguvudu alli EnO kaliuvudakkAgi mAtra alla. alli nirmANa Aguva BAva tarangagaLige nammannu oDDikoLLuvudakkoskara”
Shashidhar
May 15, 2007 at 4:52 pm
Namskara sir
I need lyrics for Venkataramanane BArOo, kindly provide me sir
Thanks in Advance
Srinath
May 17, 2007 at 9:48 pm
shashidhar
Nanna anisikege support needidakke tumba thanks. Nija. Naavu pravachnagalanna keli satsanga maasdidare avanannu tiliyabahudeno. Thyagarajare helida haage Nidhichaala Sukhma, Ramuni Sannidhi chaala sukhma anno thara aa devana tiliyuva bhagyageve tumba dodda nidhi. Matte neevu helida haage ee kaliyugadalli gaanadali Keshava andare saku. Avanu oliyuttane. Idu Khandita.Ee bhagya ellarigu sikku sarvam vishnumayam agali.
Sri rama jayam
May 21, 2007 at 12:57 pm
nambi karedare tAyi O ennadihaLEnO
ninna toredavaLentu iraballaLu
bilva daLa hUvugaLa tandu pAdake muDiso
ninna Baktiya divya gandhadoDane
Shashidhar
May 21, 2007 at 1:08 pm
nAvu avana preetiyanu sampAdisidare tannadellavannU avanE tiLisikoDuttAne hAgoo adannu artha mADikoLLuva Saktiyannoo koDuttAne.
summaru 200 varshagaLa hindeyashte iddantha Sri Ramakrishnara lIlA nAtakadalli obba patradhAriyAda gOpalEr Ma ( bangaLiyalli, artha: gOpAlana tAyi) avaLa katheyannu Odidare arthavAgutte. Ake bAla gOpAlana jotege hEge anadisidaLu yennuvudu avaLa jIvana charitreyannu Odi tiLiyabEku. adakkAgi avaLu mAdida tyAga, patta nOvu !!! adakke rAmakrishnara santvana mAtu , adannu avaLu sweekarisida bage !!!!
Shashidhar
June 4, 2007 at 12:25 pm
Dear rk sir,
I left some message on 21st may. After that no messages are appearing in the site. Does it mean nobody visited the site after me ? I have visited several times after leaving the message on 21st may, just to read any useful information that may be availbale in the site.
Shashidhar
June 4, 2007 at 12:37 pm
shashidhar,
thanks for your excellent comments. they are really giving food for thought for me and several of my friends.
many have visited this post after may 21st. it is just that there have been no comments.
my family and my friend’s family had been to sri ramakrishna ashram yesterday. the atmosphere was really very refreshing. had a brief chat with swami harshanandaji. remembered you and your enlightening comments a lot.
regards and take care
rk
June 5, 2007 at 2:01 pm
In today’s world, Satsanga is essential to everybody. The word ‘Satsanga’ is the combination of the two words ‘Sat’ and ‘Sanga.’ ‘Sat’ means existence absolute, which is Brahman. ‘Sanga’ literally means company or union. To be always in the company of the Lord, or to be established in Brahman, is the literal meaning of the word ‘Satsanga.’
As Sri Purandaradasa says in the Devaranama ‘Tanuva neerolagaddhi phalavenu’:
Swami Sivananda says: Satsanga is association with the wise. Live in the company of sages, saints, Sadhus, Yogis and Sannyasins; hear their valuable Upadesha or instructions and follow them implicitly. This is Satsanga.
June 8, 2007 at 12:54 pm
Dear rk sir,
nice information
santa kabeeradasaru hELuttAre,
santara sEveyu nadeyada maneyu
avalakshaNagaLa tANa
A mane msaNavu yendu tiLidu
bhUtagaLAduvuvu kabIra
andare sAdhu santara sanga yeshtu mahatvaddu yembudu tiLiyutte allave ?
dAsaru bareyuttAre:
shishtara sangava mAdadiddare yenage ANe ranga
dushtara sangava bidisadiddare ninage ANe
sanga mAduva javAbdAri namma mElE ide. Adare dushtara sangadinda (ondu vELe mAdibittare ) bidisikoLLabEkAdare BagavantanigE sharaNu hOgabEku
hIgE ondu 2 charaNagaLa kavanavannu bareyuvante nanage shree matheyu prErEpisidaLu. adannu illi tamma munde iduttiddEne. tammondige hanchikoLLuttiddEne.
nonda jIvake bharavaseyu sharada mAteya nudigaLavu
prEmarUpi rAmakrishNana prEmada nudigaLavu O…
nonda jIvake Asareyu sharada mAteya adigaLavu
prEmarUpi rAmakrishNanE guruvu bandhu sakha A…
idannu ondu vidhavAgi hadalUbahudu
Shashidhar
June 8, 2007 at 12:58 pm
dear rk sir,
is it possible to share the good information available in the posts that reach you ? if so what should i do ?
Shashidhar
June 8, 2007 at 1:27 pm
Anna Shashidhar,
bhakthi-inda thumbida nimma nudimutthugalige vandanegalu.
Can you share the full version of the kavana with us please?
You can kindly mail article/ pictures to:
<b>ramblingwithbellur@rediffmail.com</b>
Thanks in advance
Nimmava
RK
June 8, 2007 at 1:56 pm
rk sir,
A kavana Agale hELidaHage eradE charaNagaLannu hondide. adannu nanna bhavanegaLannu horahAkalOsuga baredukonde. illi thammondige hanchikoLLuva sannivEsha bantu annisitu. hanchikonde. nAnu sumArAgi hAdikoLLuttEne. hIgAgi hAdikoLLuttA bhAvanegaLannu tOdikoLLuvudakkAgi agomme Igomme baradukoLLuttEne and hAdikoLLuttEne. nAnu kaviyEnU alla. sundaravAgi hAduvavanU alla. bahushaha stotrapriyeyAda shrImAteyu nanninda bareyisi hadisikondu kELuttA nanna manassannu tanna kadege hididittukoLLuvaLenO ? ballavararu avaLa lIleyannu ?
mattondu sala shrImAteya kuritAgi bareda ondu nAmAvaLiyannu illiduttEne. adaralli avaLa ondakkondu viruddhavAda guNagaLannu ondede sErisi hAdikoLLuva bayakeyAyitu. hAgAgi barede.
Iga AfIsinalliddEne. svalpa kelasa ide. matte baruttEne
namaskAragaLu
Shashidhar
June 11, 2007 at 9:36 am
dear Rk-ji,
satsanga or santara sanga eshtu AnandadAyaka anta kabeeraru hELuvudannu kELi:
idu ondu kabeeradAsara dOhe.
swataha rAma karedAgalU
kabeeragEnO duguDa
sAdhusangadoLu dorevAnanda
vaikunthadalU illa kabeera
inTha dOhegaLnnu kannaDakke anuvAdisi swami prushOttamAnandaji avaru sundaravagi hAdiddAre
Shashidhar
June 11, 2007 at 9:44 am
shashidhar,
wonderful dohe by kabeer das. i remembered my school days when we had lots of kabeer dohes to read and write its meaning.
it seems even rama bhanta hanumantha also told rama the same thing: “i prefer staying in bhooloka listening to your stories rather than attaining vaikuntha…”
entha mahaan bhaktharu ivarella!
June 24, 2007 at 5:32 am
please upload songs of lakshmi shobaney
June 26, 2007 at 10:41 am
Namasthe,
I realised very late that there are like minded friends for me. Good to be a part of this group.
I sing atleast one dasara devaranama everyday and inspire my sons to learn and sing.
My son got several prizes in devotional songs during Purandara Dasara Aradhane.
Vandanegalu,
June 26, 2007 at 12:29 pm
Dear VV,
Welcome to ‘Rambling with Bellur”.
‘Too late’ antha helbedi saar. Kaala koodi barbeku ashte.
Bhagavantha olledu maadali.
Keep visiting.
Regards
RK
July 8, 2007 at 6:48 am
If you are a Sri Purandara Dasa devotee.
But unable to sing his padas with full understanding of the depth of his devotion, as you do not know Kannada.
Do not worry!
If you know Tamil or Hindi you can sing the composition in the same raga as sung in Kannada in Tamil or Hindi.
A sample
‘Bhaagyaadha Laxmi Bhaaramma , Nammamma sow bhaaghyaadha laxmi bhaaramma’
‘Bhaagyaththin thirumagale nee varavenndum,
ennannai nee bhaaghyaththin thirumagale nee varavenndum
Adimel adei alagaai vaiththu……’
My first book with 54 songs is available and vol 2 with 108 songs under print.
My similar attempt of thyagaraja krithis is expected to be released by nov 2007
If interested contact me
tk_jagannathan@yahoo.com
July 19, 2007 at 4:21 pm
Hi Friends,
For the past few days,I am listening to the dasaru padagalu (By Vidyabhusana). I am very much moved by the song “Narayana ninna namada “. After that I did some googling and came across this bellur forum. I am very much interested to be part of this community.
Can anyone please give me the full lyrics of the song “Narayana ninna namada” along with full meaning.
Thanks,
July 19, 2007 at 5:01 pm
dear satyanarayan
firstly, a hearty welcome to Rambling with Bellur.
everyone is welcome to be a part of this blog.
very happy that you are interested in listening to and knowing the inner meaning of dasara padagalu.
thanks to my friend nagaraj, here is the full text of “nArAyaNA ninna” (generally many muscians render only 2/3 charanas)
nArAyaNA ninna
rAgA: shuddhadhanyAsi
rUpaka tALA
P: nArAyaNA ninna nAmada smaraNeya sArAmrtavenna nAligege barali
C1: kUDuvAgali nintADuvAgali matte hADuvAgali haridAguvAgali
khODi vinOdadi nODade nA balu mADida pApa biTTODi hOgO hAge
2: UrigE hOgali UroLagirali kAraNArtangaLella kAdirali
vArijanAbha narasArathi sannuta sAri sArigE nA bEsaradhAge
3: hasividdAgali hasivilladAgali rasikasi irali haruSirali
vasudEvAtmaka shishupAlakSaya asurAntaka ninna hesaru mareyadhAgE
4: kaSTadallirali utkrSTadallirali eSTAdare matigeTTirali
krSna krSNa endu shiSTaru pELuva aSTAkSara mahA mantrada nAmava
5: kanasinoLAgali kaLavaLikAgali manasugoTTirali munidirali
janakajApati ninna caraNa kamalavanu manasinoLage omme nenesikoLLO hAge
6: jvara bandAgali caLi bandAgali maraLi maraLi mattE naDuguvAgali
hari nArAyaNa durita nivAraNendu iruLu hagalu ninna smarane mareyadhAge
7: santata hari ninna sAsira nAmavu antarangada oLagirisi
entO purandara viTTala rAyane antya kAladalli cintisOhAgE
meaning will be posted soon.
keep listening to the lovely devaranamas
regards and take care
rk
July 24, 2007 at 2:27 pm
Thanks a lot RK.
I just wrote down the charanas and singing along. Very Interesting !!! I do not know the reason,But I started developing affinity towards carnatic songs. The devaranamas are really fascinating….
BTW, I am also expecting the complete meaning. Please also suggest some more good songs of this calibre.
Thanks once again,
S. Narayan
July 25, 2007 at 10:18 pm
Can I find the lyrics of vaadiraaja’s lakshmI shObAne on any web page? IF so , Pl let me know the URL of that page. Thanks
August 1, 2007 at 7:50 am
Dear Satyanarayan,
Finding the “true inner expressions” of Sri Purandaradasa’s devaranamas is possible only by scholars and enlightened souls. A layman like me can only try to get the overall “meaning”. I am sure we will find the songs more enchanting and enlightening when we know the philosophy in each song.
Below, I have attempted to give you the meaning for the song “Narayana Ninna Namada Smaraneya”. Kindly excuse me if I have erred (I am sure I have).
***
While being with others, or while playing or singing or when moving about (‘haridAguvAgali’ can also mean when the mind keeps wandering – ‘manassu haridAguvAgali’ antha kooda arthaisabahudu);
and whenever I got negative thoughts seeing all the material comforts and marvels of this world, – Narayana, may I always keep chanting your name so that my sins get washed away
For anything in this world to happen, there should be a Kaarana. Even when all ‘Kaaranas’ are waiting to happen; whether I am out of town or in town, and when I am depressed – Narayana, may I always keep chanting your name
When I am hungry or otherwise, unhappy or rejoicing, oh vasudeva! the slayer of asuras and shishupala, may I never forget to chant your pious name – Narayana, may I always keep chanting your name
When I am totally dejected, or really happy, or when I am completely out of my mind, still let me chant the ashtakshara maha mantra that every noble person chants – Narayana, may I always keep chanting your name
Even when I am dreaming or awake, or doing something with interest or disinterest, oh lord, may you give me the good thought of remembering you once – Narayana, may I always keep chanting your name
When I have fever or cold, or while I am shivering, may I still not forget to chant your holy name day and night – Narayana, may I always keep chanting your name
May every cell in me be filled with your Naama, and at the time of death, may I get the thought of Sri Purandara Vitala’s holy name (which is possible only when you keep chanting his name every moment, as none knows when death can come) – Narayana, may I always keep chanting your name
***
Each devaranama of Purandaradasa is a gem. One janma is not sufficient to sing them with Bhakti and get to the heart of the meaning by laymen like me. What ever I have heard, I love them all.
You can go up this comments list to get a small list of Devaranamas.
Dear GSK Rao,
Welcome to RwB. Sometime back, I had given a link to the webpage having the Lakshmi Shobhane song. Please scroll up this comments list to read a comment by yours truly (addressed to ms.asmitha dated March 15th, 2007 at 11:41 am). Hope to get the lyrics soon. Will be happy if you could kindly share the lyrics with us in case you get them first.
Regards and best wishes
RK
August 9, 2007 at 2:36 pm
its a very big project to learning more in sangeetha
August 18, 2007 at 6:36 pm
purandhara dasara padagalu nannage bahal mecchige aguttave
August 24, 2007 at 2:51 pm
Hello,
Can any one Pls. provide me the lyrics of ” Innudaya Bharate…” by purandara Dasa .. or provide links to the sites where I can get the same.. Either post the same here or send to my email: giri@rediffmail.com
Thanks
Giridhar
October 5, 2007 at 5:29 pm
I need english translation for ‘palisemma muddu sharade’ of Sri Purandara Dasa. Can someone help me please?
Thanks
Ranjini
October 15, 2007 at 2:33 pm
This post mentions Purandara Dasa was believed to be born in Pandharpur, but many people in Maharashtra say he was born in Saswad near Pune. There are lot of people with surnames Purandare from that place.
October 15, 2007 at 2:48 pm
giridhar,
here are the lyics to the devaranama ‘innu daya bArade’:
P: innu daya bAradE dAsanamElE
A: pannagaSayana SrI paramapuruSha hariyE!
C1: nAnA-dESagaLalli nAnA-kAlagaLalli
nAnA-yOnigaLalli nalidu puTTi
nAnu nannaduyemba narakadoLagE biddu
nInE gatiyendu nambida dAsanamElE
C2: manO-vAk-kAyadinda mADida karmagaLella
dAnavAntaka ninagE dAnavittE
yEnu mADidarEnu prANa ninadu svAmi
SrInAtha purandaraviThala dAsanamElE
Meaning:
Even now, you have not showered your compassion on this dAsa, O Hari, Supreme Being that rests on the serpent (SEShanAga)! This dAsa, that :
- having been through numerous cycles of birth in various lands, in various eras, and various wombs, have thought of everything in terms of “myself” and “mine”, and as a result having fallen into the throes of hell, has now completely surrendered myself in the conviction that you are the only saviour!
- has offered unto you all karmas performed via mind, speech or body, since you are the destroyer of all these karmic asura-s (the interpretation is that dAnava, which means “asura”, refers to worldly karma-s), and has determined that, whatever one does, one’s life belongs only to You, O SrInAtha, purandaraviThala!
***
ranjini,
will post the english translation/ meaning soon. sorry for the delay. till then, enjoy the lyrics:
P: pAlisemma muddu shAradE enna nAligEyali nilla bAradE
A: lOla lOcana tAyE niruta nambide ninna
C1: akSarakSara vivEkava ninna kukSiyoLIrELu lOkava
sAkSAt rUpadinda olidu rakSisu tAyE
C2: shrngAra pura nelevAsini dEvi sangIta gAnavilAsini
mangaLa gAtre tAyE bhaLire brahmana rANi
C3: sarvAlankAra dayA mUruti ninna caraNava stutisuve kiruti
guru mUrti purandara viTTalanna stutisuta
***
sanjeev,
have heard that Saswad is a historical place in Maharashtra where the fort ‘Purandar’ is situated. It is the birthplace of Chatrapati Shambu Raje-Son of Chatrapati Shivaji Raje. remember reading a piece in The Hindu that said sri purandaradasa was born in hampi.
October 20, 2007 at 4:01 am
I need the full sahitya of the devaranama ” Sarideno Ninna venkata ranna..” in edukulakomnoji. Can someone post it please? S.Gowrishankar.
October 30, 2007 at 9:28 pm
Hello,
Could somebody provide me the meaning for the song mentioned below. It has been composed by Shri Purandara dasar.
Pallavi
vEnkaTaramaNane bArO shESAcala vAsane bArO
Anupallavi
pankaja nAbha parama pavitra shankara mitrane bArO
Charanam 1
muddu mukhada maguva ninage muddu koDuvenu bArO nirdayavEkO ninnoLage nAnu pondiddEnu bArO
Charanam 2
mandhara giriyanettidAnanda mUrtiye bArO nanda akanda gOvinda mukunda indireya rasane bArO
Charanam 3
kAmanayya karuNALo shyAmala varNane bArO kOmalAnga shrI puurandara viTTalane svAmi rAyane bArO
Thank You.
November 10, 2007 at 1:13 pm
Can somebody please provice the lyrics to some shobane’s? ( Song sung during marriages)
January 12, 2008 at 3:18 pm
Can you please provide me with the lyrics of the Purandhara krithi
Anthakana dhutharige…..
Thank you.
Nirmala
January 18, 2008 at 9:36 am
Hi,
Does anyone have the lyrics to “Biduvenenayya Hanuma”? It will be a great help for me.
cheers,
prasanna.
January 21, 2008 at 3:51 pm
Hi all,
This is Sekhar from coimbatore.
could anyone get me the lyrics “harihara nimmanu metissa dahudu” sung by TRS & KVN ?
Pl help me as soon as possible. Planning to sing at a dasar function on the 23rd jan 08.
Thanks
Sekhar
9894048600
January 22, 2008 at 5:55 pm
Hi all
This is muralidhar from hyd, can you please provide me with lyrics for the laali song of Saint Sri.Sri.Vadirajaswamigalu..
Laali Adidha Ranga Laali Adidha…
Laali Hanuma Laali Balabhima
Laali Sree Hayavanda
Jo Jo Rangadhama..
Jo Jo Jo Mukhyaprana
January 22, 2008 at 5:56 pm
thank you all
February 5, 2008 at 10:09 am
[...] the Rasna kid?Car Logo QuizAOL: Art of LootingWanted: Music Teachers (Carnatic Vocal)Logo QuizSri Purandara Dasa (1494-1564)’Safed Haathi’: Truly Memorable MovieRemember the old Liril ad?Sudha Magazine: Three Special [...]
February 9, 2008 at 2:19 am
Hi RK,
I have been a frequent visitor of your blogs just because they contain so much information and ofcourse I like your cartoons as well.
Thanks for sharing your knowledge on Sri Purandara Dasa.
Is there any information how the Navarathnamalike songs (9 gems of purandara dasa) were chosen as part of Purandara Dasa Aradhane Goshti Gayana?
February 13, 2008 at 8:14 am
hi gvg,
thanks for dropping in a comment. y’day, came across a couple of books which gave the list of navarathnamalike songs with notations. as for how they were chosen, will post a comment about it here shortly.
take care and regards
rk
February 18, 2008 at 11:49 am
As for as I know, the “navaratna mAlika” songs chosen for gOShTi gAyana do not have a long history. It is very much a 20th century phenomenon. I think Sri RKS (or some other contenporary vidwans) selected 9 songs, and adapted them for group singing like Tyagaraja’s pancharatna kritis.
While Tyagaraja’s pancharatna kritis were based on a single theme ( all in prathama ghana panchaka rAgas – nATa, gouLa, Arabhi. varALi ans Sri) and similar structure (multiple charaNas, for each both the swara and sAhitya is sung), I don’t see such a pattern in this navaratna mAlika group.
I very much have a feeling that the songs selected for navartnamAlika were also influenced by Tyagara’s ghanarAga pancharatna – The first song among the 9 is jaya jAnakI kAnta in nATa. and the last is bhAgyada lakShmi bAramma in Sri rAga.
I do not remember all the kritis in the list. I can, however, check from other musicians and post the list.
-neelanjana
February 21, 2008 at 12:16 pm
Biduvenanyaa Hanuma Biduvenanyya (2)
Summane Biduvenanyaa
BiduvenanO hAnuma niNna
AdiGaligae shiRava bAgi (2)
oDaya naLLi Gyna bhAKuthi ya (2)
koDuva thaNaka summane niNna (Bi…)
HaStha vANnu yetHidera yeNu
hARa kalannu ittaRe yeNu (2)
hRuthYanu niNavanu Naanu (2)
haSthi vArdhana thoruVa thaNaka (Bi…)
HalluMuDiya kacHidera YeNu
anJuvane Ninage Naanu (2)
huLLa naBha naLLi yeNna (2)
maNasa ni NilliSuva thaNaka (Bi….)
or
maNasa ni NilliSO thaNaka
DonKu MoRea BalaVa thid Di
huNkarisDera anJuvanallA (2)
kinKara ninnaVanu naanu (2)
puranDhara Vittalana thoruVa thaNaka (Bi….)
February 21, 2008 at 12:27 pm
Hi Prasanna Im Srinath here from Bangalore I have posted lyrics for Biduvenanyaa Hanuma
February 21, 2008 at 10:07 pm
I have some info on the Navarathnamalike history now.
Inspired by Tiruvayyar’s Sri Thyagaraja Aradhane, karnatic music maestros of “Shree Purandara Nalkaneya Shathamanothsava Samiti” decided that we should also celebrate Purandara Dasa Aradhane with Goshti Gayana. This committee not only selected experts of Karnatic music to train people but also chose these 9 kirthanas, on November 24th 1964 under stuartship of GanaKalaSindhu Sri N. Chennakeshavayya.
These 9 songs were sung in Purandara Dasa Utsava in Hampe that time. This group of experts (which included Vidwan L. Rajaraya, Vidwan Sri Swaramurthy v. N. Raya, Vidwan Sri A. Subbaraya, Vidwan Sri Belakawadi Srinivasa Iyengar, Vidushi Srimati Parvati Mahadevan, Vidwan Sri Ballari Venkateshan, Harikatha Vidwan Sri Bhadragiri Keshavadasa, Harikatha Vidwan Sri T.V. Gopinatha Dasa, Vidwan sri N. Srinivasa Murthy, Prof. S.K. RamachandraRaya) trained the Goshtigayana Participants for Purandara Utsava. Their intention was to have this Goshti Gayana whereever Purandara Utsava was held, just like Thiruvayyar Thayagaraja Aradhane.
The Navarathnamalike is started with Pillari Geethegalu (Srigananatha, Kundagowra, KereyaNeeranu and Padumanabha) and Ended with Ugabhoga “Indina Dinave Shubha Dinavu”. Sri Purandara Dasa composed this song when he received “Deekshe” from his guru Sri Vyasaraya of Hampe.
List of Navarathnamalike Songs is like this:
1. Jaya janaki kAntha
2. AdidanO ranga
3. Kallu sakkare kollirO
4. Odi bArayya
5. sakala graha bala neene
6. pOgadiralo ranga
7. nA ninna dhyanadoliralu
8. krishnamoorthy kanna munDe
9. bandanEne ranga
ugabhOga (indina dinave)
February 25, 2008 at 7:59 am
neelanjana,
thank you very much for that comment! very interesting to know the similarities betw. pancharathna krithis and navarathnamalike.
srinath,
thanks for adding to the list. but when i paste it in baraha, am getting strange words…..so maybe this needs editing.
prasanna, you can hear to the song ‘biduvenenayya hanuma’ at this link (3rd song from top)
gvg,
nostalgic info! thanks for sharing the story.
regards
rk
February 25, 2008 at 8:44 am
gvg,
I agree with you. When Sri R. K Srikanthan was here (San Diego, USA), he told us exactly what you wrote here about the nAlkaneya shatamAnOtsava committee and how parallels were drawn with tyAgarAja’s pancharatna kritis. In fact he trained a bunch of us and we all sang the navaratnamAlike here; this was 3-4 years ago. He indeed implored us to continue this as a tradition. I am happy to report that we have continued this tradition and navaratnamAlika kritis are sung every purandara ArAdhana, except for one or 2 times, we missed them.
In fact, I am just coming back from another ArAdhana this year. The navaratna mAlike songs were sung this year as well under the leadership of Smt. Shobha Nahgabhushan. Today I gave a talk on Purandaradasa and his impact on dasa sahitya which was well-received. I did use a point or two from this blog, thanks to Bellur and all others here. This is my second talk, I had given my first talk 2 years back which was well-received as well. Much of my research this time was based on samagra sahitya darshana and the CDs I got from Bangalore when I was there in December.
There was one comment from the audience this time. When I was giving the meaning of the song jagadOddhArana, I said apramEya means one that cannot be proved as in pramEya = theorem, proof, siddhAntha and a-pramEya is one who cannot be verified, beyond proof. I believe from a philosophical perspective, this meaning is applicable and would probably convey what the great sage intended (who knows about that anyway!!), while the dictionary meaning is ‘unmeasurable’.
I would welcome comments and discussions on this and would be happy to learn and/or contribute here
Regards,
VR
February 25, 2008 at 9:12 am
VR,
nice to have you here. glad this blog was of some use.
thanks for sharing interesting details with us.
yes, ‘apramEya’ means immeasurable. your mention about the song ‘jagadOddhArana’ brought nostalgic memories of my trip to Dodda Mallur Sri Aprameyaswamy devasthana a few years back. this was the place where sri purandara dasaru composed this song. i experienced ‘romanchana’ when i had the darshana of aprameya navaneetha krishna!
***
Meaning of jagadOddhArana [courtesy: Bindu Siva]
The poet Purandaradasa tells of how mother Yashoda plays with baby Krishna, not knowing that he himself is the lord of the universe. One day, Krishna steals his mother’s butter, but when Yashoda admonishes him to open his mouth and show her the butter, he instead reveals the entire universe. On another occasion, Krishna playfully steals the clothes of the gopis, but when they implore him to return them, he blesses them as the mighty Jagododdharaka.
jagadOddhArana ADisidaLeshOde
Yashoda played with Krishna, who is full of virtue and care taker of the whole world himself
jagadOddhArana maganendu tiLiyuta suguNAnta ranganA AdisidaLeshOde
Yashoda played with Krishna, who is full of virtue and care taker of the whole world himself, thinking that he was a mere boy and her son!
nigamakE silukada agaNita mahimana magugaLa mANikyana ADisidaLeshOde
Yashoda played with Krishna, who can not be caught even with the vedas (who is beyond the Vedas), who is bigger than infinite, gem among all the children.
aNOraNIyana mahatO mahImana apramEyana ADisidaLeshOde
Yashoda played with Krishna who is smaller than an atom, bigger that the biggest and beyond limit and immeasurable.
parama puruSana paravAsudEvana purandara viTTalana ADisidaLeshOde
Yashoda played with Krishna from Pandarapura vittala who is best among men and beyond the realms of norms.
***
Related link: Doddamallur – Aprameya Swamy Temple
April 12, 2008 at 6:13 pm
Looking for the lyrics for the Dasara composition Ranga Baroo Panduranga Baroo. . This was sung by Smt.MS Sheela recently in Cleveland.
April 17, 2008 at 8:03 pm
This is a well managed site and a decent one, especially with Dasa Glory.
April 21, 2008 at 11:23 am
kande naa kanasinali govindana
kande naa kanasinali govindana
kande naa kanasinali kanaka ratnada manimaya
nandana kandha mukundana charanava
andhuge kirugejje ghaliremba vadhyadhi
bandhu kaalingana hedeyaneri
dhim dhimi dhimikendhu taalagathigalindha
nandadhi kuniva mukundana charanava
utta pitambara udiya kaanchiya dhaama
thotta muttina haara kousthubhavu
kattida vaijayanthi tulasi vanamaale
itta dwadashanaama nigama gocharana
kiri beralina mudre ungura mungaiya
karadali kankana nalidolugala
vara chaturbhuja shankha chakradi merevana
niratadi oppuva karunaamurutiya
bannada thuti bhava rachaneya sulipallu
sanna nageya nudi savimaathina
punya charitrana poleva kireetava
kannu mana thaniyadu kamsaari krishnana
mangala vara tungabhadradi merevana
angajapita srilakshmipatiya
sringaramuruti purandaravitalana
kangalindali kande hingitu bhavabhaya
***
ranga baaro panduranga baaro
ranga baaro panduranga baaro
ranga baaro narasinga baaro
kandha baaro enna thande baaro
indira ramana mukunda baaro
appa baaro thimmappa baaro
kandharpanayyane kanchivarada baaro
anna baaro enna chinna baaro
punyamurthi mahishapuri chenna baaro
vishnu baaro udipi krishna baaro
ennishtamurthi purandaravitala baaro
April 23, 2008 at 8:57 am
RK, I have read with a lot of interest your response on Sri Satyanarayana’s question on answers to the lyric “Narayana ninna namada”.
I am also interested in finding out a word to word translation of the lyric. Can you help. Regards.
April 23, 2008 at 1:50 pm
I hear about the new web site for classical music enthusiasts http://www.taaraa.com. This is a true web2.0 experience you should see.
May 8, 2008 at 6:28 am
Can anyone please tell me if there is somewhere i can download the song ‘Narayana ninna naamada smaraneya saramrutha’ sung by Sri Vidyabhushan Swamiji? Even if there is a site where I can listen to it online, I’ll be the happiest.
I know there are quite a few different variations and renditions of the song by different singers ….but I only want the one sung by Sri Vidyabhushan Swamiji……. I have checked so many websited without luck……..
PLEASE HELP……
May 11, 2008 at 10:04 pm
Lyrics of Lakshmi Shobanae song::
shobhAnavennire suraroLu shubhaganige
shobhAnavenni suguNanige
shobhAnavennire trivikramarAyage
shobhAnavenni surapriyage shobhAne ||pallavi||
lakShmInArAyaNara charaNakke sharaNeMbe
pakShivAhannageraguve
pakShivAhannageraguve anudina
rakShisali namma vadhU-varara ||1||
pAlasAgaravannu lIleyali kaDeyalu
bAle mahAlakShumi udisidaLu
bAle mahAlakShumi udisiLAdevi
pAlisali namma vadhU-varara ||2||
bommana praLayadali tannarasiyoDagUDi
summaneyAgi malagippa
namma nArAyaNagu I rammegaDigaDigu
janmaveMbudu avatAra ||3||
kaMbukaMThada sutta kaTTida maMgaLasUtra
aMbujaveraDu karayugadi
aMbujaveraDu karayugadi dharisi
pItAMbaravanuTTu meredaLe ||4||
oMdu karadiMda abhayavanIvaLe
mattoMdu kaiyiMda varagaLa
kuMdillaladAnaMdasaMdoha uNisuva
iMdire namma salahali ||5||
poLeva kAMchiya dAma uliva kiMkiNigaLu
naliva kAlaMduge ghalakenalu
naLanaLisuva muddumukhada cheluve lakShumi
salahali namma vadhU-varara ||6||
rannada molegaTTu chinnadAbharaNagaLa
chenne mahalakShumi dharisidaLe
chenne mahalakShumi dharisidaLAdevi
tanna maneya vadhU-varara salahali ||7||
kuMbhakuMchada mele iMbiTTa hAragaLu jaga
tuMbiguruLa mukhakamala
tuMbiguruLa mukhakamalada mahalakShumi jaga
daMbe vadhU-varara salahali ||8||
muttina oleyanniTTaLe mahalakShumi
kastUri tilaka dharisidaLe
kastUri tilaka dharisidaLA devi
sarvatra vadhU-varara salahali ||9||
aMbujanayanagaLa biMbAdharada shashi-
biMbadaMteseva mUgutimaNiya shashi-
biMbadaMtesevamUguti maNi mahalakShumi
uMbudakIyali vadhu-vararge ||10||
muttinakShateyiTTu navaratnada mukuTava
nettiya mele dharisideLe
nettiya mele dharisidaLA devi tanna
bhaktiya janara salahali ||11||
kuMda-maMdara-jAjI-kusumagaLa vR^iMdava
cheMdada turubige turubidaLe
kuMdavarNada komale mahalakShumi kR^ipe-
yiMda vadUvarara salahali ||12||
eMdeMdigu bADada araviMdada mAleya
iMdire poLeva koraLalli
iMdire poLeva koraLalli dharisidaLe ava-
LiMdu vadhUvarara salahali ||13||
devAMga paTTeya melu hoddikeya
bhAme mahalakShumi dharisidaLe
bhAme mahalakShumi dharisidaLA devi tanna
sevaka janara salahali ||14||
I lakShumi deviya kAluMgara ghalakenalu
lolAkShi mellane naDetaMdaLu
sAlAgi kuLlirda surarasabheya kaMDu
AlochisidaLu manadalli ||15||
tanna makkaLa kuMda tAne peLuvadakke
mannadi nAchi mahalakShumi
tannAmadiMdali kareyade obbobara
unnata doShagaLaneNisidaLu ||16||
kelavaru taleyUri tapagaidu puNyava
gaLisiddarenU phalavilla
jvalisuva kopadi shApava koDuvaru
laleneyanivaru olisuvare ||17||
ella shAstragaLodi durlabha j~nAnava
kallisi koDuva gurugaLu
ballida dhanakke maruLAgibbaru
sallada purohitakkoLagAdaru ||18||
kAmanirjitanobba kAminige sotobba
bhAminiya hiMde hAridava
kAmAMdhanAgi muniya kAminigayadanobba
kAmadi gurutalpagAmiyobba ||19||
nashvaraishvaryava bayasuvanobba para-
rAshrayisi bALuva Ishvaranobba
hAsyava mADi halludurisikoMDavanobba
adR^ishyAMghriyobba okkaNanobba ||20||
mAvana koMdoMbba maruLAgihanu
gADha hArvana koMdoMbba baLalida
jIvara koMdobba kulageDeMdenisida
shivaniMdobba bayalAda ||21||
dharmavuMTobbanali hemmeya hesarige
ammamma takka guNavilla
kShammeya biTTobba narakadalli jIvara
marmava meTTi kolisuva ||22||
khaLanaMte obba tanage sallada bhAgyava
ballidagaMji barigaida
durlabha muktige dUraveMdenisuva pA-
tALakke iLida gaDa ||23||
ellarAyuShyava shiMshumAradeva
sallIleyiMdali tolagisuva
olle nAnivara nityamuttaideyeMdu
ballavarenna bhajisuvaru ||24||
prakR^itiya guNadiMda kaTTuvaDedu nAnA-
vikR^itigoLAgi baredalli
sukhadukhaveMba bommAdi jIvaru
duHkhakke dUrenipa enageNeya ||25||
obbanAvana maga mattobbanAvana mommaga
obbanAvanige shayanAha
obbanAvana poruva mattibbarAvanigaMji
abbaradalAvAga suLivaru ||26||
obbanAvana nAmakaMji bechchuva gADha
sarvarigAva amR^itava
sarvarigAva amR^itavanuNisuva ava-
nobbane niraniShTa niravadya ||27||
niraniShTa niravadya eMba shrutyarthava
oredu noDalu naraharige
narakayAtane salla duritAtidUranige
maruLa manabaMdaMte nuDiyadiru ||28||
oMdoMdu guNagaLu iddAvu ivaralli
saMdaNisive bahu doSha
kuMdeLLaShTillada mukuMdane tanageMdu
iMdire patiya nenedaLu ||29||
devarShi viprara koMdu tannudaradoLiTTu
tIvidda harige duritava
bhAvaj~nareMbare Aladeleya mele
shivana liMgava nilisuvare ||30||
hasi-tR^iShe-jare-maraNa-rogi-rujegaLeMba
asura-pishAchigaLeMba bhayaveMba
vyasana barabAradu eMba nArAyaNanige
pashu modalAgi neneyadu ||31||
tA duHkhiyAdare surarArtiya kaLedu
modavIvudakke dharegAgi
mAdhava bAhane kesaroLu muLugida
bhAdhipa kesara biDisuvane ||32||
bommanAlayadalli iddavage layavuMTe
janmalayavidavanige
ammiyanuNisidda yashodeyAgiddaLe
amma ivage hasi-tR^iSheyuMTe ||33||
Aga bhakShyabhojyavittu pUjisuva
yogige uMTe dhanadhAnya
Aga dorakoMbude pAka mADuva vahni
mattAgalellihudu vichArisiro ||34||
rogavanIva vAta pitta shleShma
Aga koDuvude rameyoDane
bhogisuvavage duritava nenevare
I guNanidhige eNeyuMTe ||35||
rammedeviyaranappikoMDippudu
rammeyarasage rati kANiro
ammoghavIryavu chalisidare praLayadali
kammArar yAke janisaru ||36||
ekatra nirNIta shAstrArtha paratrApi
bekeMba nyAyava tiLiduko
shrIkR^iShNanobbane sarva doShakke si-
lukaneMbudu salahalike ||37||
ella jagava nuMgi dakkisikoMDavage
salladu roga rujinavu
balla vaidyara keLi ajIrtimUlavella
salladu roga rujinavu ||38||
iMthA mUrutiya oLagoMba naraka bahu
bhrAMta nInelliMda torisuvelo
saMteya maruLa hogelo ninna mAta
saMtaru keLi sogasaru ||39||
shrI-nArAyaNara jananI-janakara
nAneMba vAdI nuDiyalo
jANariMdariya mUla rUpava tori
shrI narasiMhana avatAra ||40||
aMbudhiya udakadali oDedu mUDida kUrma-
neMba shrI hariya pitanAru?
eMba shrI hariya pitanAru adariMda svA-
yaMbhugaLella avatAra ||41||
devikiya garbhadali devanavatarisida
bhAvavannu balla vivekigaLu
vasudheyoLage kR^iShNage janmava-
Ava pariyalli nuDiyuviyo ||42||
AkaLisuvAga yashodAdevige
deva tannoLage hudugidda
bhuvanavellava toridudillive
A viShNu garbhadoLaDaguvane ||43||
Aneya mAnadalli aDagisidavaruMTe
aneka koTi ajAMDava
aNureNu kUpadali ALda shrI hariya
janani jaTharavu oLagoMbude ||44||
adariMda kR^iShNanige janmaveMbudu salla
madananivana kumAranu
kadanadi kaNegaLa ivanedegesevane
sudaterigiva niMtu silukuvane ||45||
adariMda kR^iShNanige paranArI saMgava ko-
vidarAda budhru nuDivare
sadarave I mATu sarva vedaMgaLu
mudadiMda tAvu stutisuvavu ||46||
eMda bhAgavatada cheMdada mAtanu
maMdada mAnava manasige
taMduko jagakke kaivalyavIva mu-
kuMdage kuMdu korate salladu ||47||
hattu varShada keLage makkaLATikeyalli
chitta strIyarige eraguvade
artiyiMdarchisida gokulada kanyeyara
satyasaMkalpa berisidda ||48||
hattu mattAru sAsira strIyaralli
hattu hattenipa kramadiMda
putrara vIryadali sR^iShTisidavaruMTe
artiya sR^iShTi harigidu ||49||
roma-romakUpa koTivR^ikShaMgaLa
nirmisi gopAlara teraLisida
namma shrIkR^iShNanu makkaLa sR^ijisuva
mahime ballavarige salahalike ||50||
maNNaneke meddeyeMba yashodege
saNNa bAyoLage jagaMgaLa
kaNNAre torida namma shrIkR^iShNana
ghanate ballavarige salahalike ||51||
nArada sanakAdimodalAda yogigaLu
nAriyarige maruLAhare
oraMte shrIkR^iShNanaDigeraguvare
ArAdhisutta bhajisuvare ||52||
aMbujasaMbhava triyaMbaka modalAda
naMbidavarige varavitta
saMbhramada suraru eLLaShTu kopakke
iMbiddarivana bhajisuvare ||53||
avanaMguShThava toLeda gaMgAdevi
pAvanaLenisi mereyaLe
jIvana seruva pApava kaLevaLu
I vAsudevage eNeyuMTe ||54||
kilbiShaviddare agra pUjeyanu
sarvarAyara sabheyoLage
ubbida manadiMda dharmaja maDuvanele
kobbadiralo paravAdi ||55||
sAvillada harige narakayAtane salla
jIvaMtarige narakadalli!
novanIvanu nimma yamadevanu
nova{govA} nI hariya guNavariya ||56||
narakavALuva yamadharmarAya
tanna narajanmadoLage poraLisi
maraLI tannarakadali poraLisi koluvanu
kuru ninna kuhaka koLadalla ||57||
bommana nUru varSha pariyaMta praLayadali
summaneyAgi malagippa
namma nArAyaNage hasi-tR^iShe -jara-maraNa-du-
Shkarma-duHkhaMgaLu toDasuvare ||58||
rakkasarastragaLiMda gAyavaDeyada
akShayakAyada shrIkR^iShNa
tuchCha yamabhaTara shastrakaLakuvanalla
huchcha nI hariya guNavariya ||59||
kichcha nuMgidanu namma shrIkR^iShNanu
tuchCha narakadoLu analanige
bechchuvanalla adariMdavage naraka
mechchuvaralla budharella ||60||
maneyalli kShameya tALda vIrabhaTa
raNaraMgadali kShamisuvane
aNuvAgi namma hitake manadoLagina kR^iShNa
muniva kAlakke mahattAha ||61||
tAya poTTeyiMda mUlarUpava tori
Ayudha sahita poravaMTa
nyAyakovidaru puTTidaneMbare
bAyige baMdaMte bogaLadiru ||62||
uTTa pItAMbara toTTa bhUShaNaMgaLu
iTTa navaratnada kirITavu
meTTida kuruhu edeyalli torida shrI-
viThThala puTTidanenabahude ||63||
R^iShabhhaMsamUShakavAhanaveri mA-
nisaraMte suLiva surarella
eseva deveshanara sahasakke maDidaru
kusumanAbhanige sariyuMTe ||64||
oMdoMdu guNagaLu iddAvu ivaralli
saMdeNisive bahu doSha
kuMdeLaShTillada mukuMdane tanageMdu
iMdire patiya nenedaLu ||65||
iMtu chiMtisi rame saMtarAmana padava
saMtoSha manadi nenevutta
saMtoSha manadi nenevutta tanna shrI
kAMtaniddeDege naDedaLu ||66||
kaMdarpa koTigaLa geluva sauMdaryada
cheMdavAgidda cheluvana
iMdire kaMDu ivane tanage pati-
yeMdavana baLige naDedaLu ||67||
I terada surara sutta noDutta lakShmi
chittava koDade nasunaguta
chittavakoDade nasunaguta baMdu puru-
Shottamana kaMDu namisidaLu ||68||
nAnAkusumagaLiMda mADida mAleya
shrI nAri tanna karadalli
pInakaMdharada trivikramarAyana
koraLina meliTTu namisidaLu ||69||
uTTapoMbaTTeya toTTAMbharaNaMgaLu
iTTa navaratnada mukuTavu
duShTamardananeMba kaDeya paMDegaLu
vaTTidda harige vadhuvAdaLu ||70||
koMbu cheMgahaLegaLu tALamaddaLegaLu
taMbaTe bheri paTahagaLu
bhoM bhoM eMba shaMkha DoLLu maurigaLu
aMbudhiya maneyallesedavu ||71||
arghyapAdyAchamana modalAda ShoDashA-
narghya pUjeyittanaLiyage
oggida manadiMda dhAreyeredane siMdhu
sadgatiyittu salaheMda ||72||
vedokta maMtra peLi vasiShTha nArada moda-
lAda munIMdraru mudadiMda
vadhUvarara mele shobhanadakShateyanu
modavIvutta taLedaru ||73||
saMbhramadiMdaMbaradi duMdubhi moLagalu
tuMburu nAradaru tutisutta
tuMburu nAradaru tutisutta pI-
tAMbaradharana mahimeya ||74||
devanAriyarella baMdodagi pAThakaru
ovi pADutta kuNidaru
devataruvina hUvina maLegaLa
shrIvarana mele karedaru ||75||
muttu-ratnagaLiMda kettisida haseya nava-
ratna maMTapadi pasarisi
ratnamaMTapadi pasarisi kR^iShNana
muttaideyarella karedaru ||76||
sheShashayanane bA doShadUrane bA
bhAsurakAya hariye bA
bhAsurakAya hariye bA shrIkR^iShNa vi-
lAsadiMdemma hasege bA ||77||
kaMjalochanane bA maMjuLamUrti bA
kuMjaravaradAyakane bA
kuMjaravaradAyakane bA shrIkR^iShNa ni-
raMjana namma hasege bA ||78||
AdikAladali Aladeleya mele
shrIdeviyaroDane pavaDisida
shrIdeviyaroDane pavaDisida shrIkR^iShNa
modadiMdemma hasege bA ||79||
AdikAraNanAgi Aga malagiddu
moda jIvara tanna udaradali
moda jIvara tannudaradali iMbitta a-
nAdi mUrutiye hasege bA ||80||
chinmayavenipa nimma manegaLalli jyo-
tirmayavAda padmadalli
rammeyaroDagUDi ramisuva shrIkR^iShNa
namma maneya hasege bA ||81||
nAnAvatAradali naMbida surarige
AnaMdavIva karuNi bA
AnaMdavIva karuNi bA shrIkR^iShNa
shrInAriyoDane hasegeLu ||82||
bommana maneyalli rannapIThadi kuLitu
ommanadi nehava mADuva
nirmala pUjeya kaigoMba shrIkR^iShNa pa-
ramma mUrutiye hasege bA ||83||
mukhyaprANana maneyalli bhAratiyAgali-
kke baDisida rasAyanava
sakkaregUDida pAyasa saviyuva
rakkasavairiye hasege bA ||84||
rudrana maneyalli rudrANideviyaru
bhadramaMTapadi kuLLirisi
svAdvannagaLanu baDisalu kaigoMDa
muddu narasiMha hasege bA ||85||
garuDana meleri gaganamArgadalli
tarataradi stutipa surastrIyara
mereva gaMdharvara gAnava saviyuva
narahari namma hasege bA ||86||
nimmaNNana maneya sudharma sabheyalli
ummeyarasa namisida
dharmarakShakanenipa kR^iShNa kR^ipeyiMda pa-
ramma mUrutiye hasege bA ||87||
iMdrana maneghogi aditige kuMDalavittu
aMdada pUjeya kaigoMDu
aMdada pUjeya kaigoMDu surataruva
iMdiregitta hariye bA ||88||
nimma neneva munihR^idayadali nelesida
dharmarakShakanenisuva
sammatavAgidda pUjeya kaigoMDa ni-
ssIma mahima hasege bA ||89||
muttina sattigeya navaratnada chAmara
suttanaliva surastrIyara
nR^ityava noDuta chitra vAdyaMgaLa saM-
pattina hariye hasege bA ||90||
enalu naguta baMdu haseya mele
vanite lakShmiyoDagUDi
anaMta vebhavadi kuLita kR^iShNana nAlku
dinadutsavava naDesidaru ||91||
atterenipa gaMge yamune sarasvati bhA-
rati modalAda surastrIyaru
muttinAkShateyanu shobhAnavenutali tamma
artiyaLeyage taLidaru ||92||
ratnadAratige sutta muttane tuMbi
muttaideyarella dhavaLada
muttederella dhavaLada pavanava pA-
Duttalettidare sirivarage ||93||
bomma tannarasi koDe baMdaregida
ummeyarasa namisida
ammararellaru bagebage uDugoregaLa
rammeyarasage salisidaru ||94||
satyalokada bomma kaustubharatnavanitta
muktAsuraru mudadiMda
muttina kaMThIsarava mukhyaprANanitta
mastakada maNiya shivanitta ||95||
tannarasi koDe savinuDi nuDivAga
vadanadalliddagni keDadaMte
vahni pratiShTheya mADi avanoLagidda
tannAhuti dibbaNa surarige ||96||
kobbida khaLaroDisi amR^itAnna UTakke
ubbida haruShadi uNisalu
ubbida huruShadi uNisabekeMdu siMdhu
sarvarigaDigeya mADisida ||97||
mAvana maneyalli devarigautaNava
dAnavaru keDisade biDareMdu
dAnavaru keDisade biDareMdu shrIkR^iShNa
devastrIveShava dharisida ||98||
tanna sauMdaryadiMdunnatamayavAda
lAvaNyadiMda mereva nijapatiya
heNNu rUpava kaMDukannye mahalakShumi iva-
ganyarekeMdu beragAdaLu ||99||
lAvaNyamayavAda hariya strIveShakke
bhAvakiyarella maruLAge
mAvara sudheya kramadiMda baDisi tanna
sevaka surariguNisida ||100||
nAgana mele tA malagiddAga
Agale jagava jatanadi
Agale jagava jatanadi dhariseMdu
nAgabaliya naDesida ||101||
kShudheya kaLeva navaratnada mAleya
mudadiMda vAridhi vidhigitta
chadura hArava vAyudevarigitta
vidhuvina kaleya shivagitta ||102||
shakra modalAda dikpAlakarige
sokkida chaudaMta gajaMgaLa
ukkida manadiMda koTTa varuNa madu-
makkaLAyuShyava beLeseMda ||103||
matte deveMdrage pArijAtavanitta
chittava seLevapsarastrIyara
hattusAvira koTTa varuNadeva hari-
bhaktiya manadalli beLeseMda ||104||
poLeva navaratnada rAshiya tegetegedu
uLida amararige sallisida
uLida amararige sallisida samudra
kaLuhidanavara manegaLige ||105||
nAgana mele tA malagiddAga
Agale jagava jatanadi
Agale jagava jatanadi dhariseMdu
nAgabaliya naDesida ||101||
kShudheya kaLeva navaratnada mAleya
mudadiMda vAridhi vidhigitta
chadura hArava vAyudevarigitta
vidhuvina kaleya shivagitta ||102||
shakra modalAda dikpAlakarige
sokkida chaudaMta gajaMgaLa
ukkida manadiMda koTTa varuNa madu-
makkaLAyuShyava beLeseMda ||103||
matte deveMdrage pArijAtavanitta
chittava seLevapsarastrIyara
hattusAvira koTTa varuNadeva hari-
bhaktiya manadalli beLeseMda ||104||
poLeva navaratnada rAshiya tegetegedu
uLida amararige sallisida
uLida amararige sallisida samudra
kaLuhidanavara manegaLige ||105||
unnata navaratnamayavAda aramaneya
chenne magaLiMda virachisi
tanna aLiyanige sthiramADi koTTava
innoMdu kaDeyaDi iDadaMte ||106||
hayavadana tanna priyaLAda lakShumige
jayavitta kShIrAMbudhiyalli
jayavitta kShIrAMbudhiyalli shrIkR^iShNa
dayadi nammellara salahali ||107||
I padava mADida vAdirAja munige
shrIpatiyAda hayavadana
tApava kaLedu tanna shrIcharaNava sa-
mIpadalliTTu salahali ||108||
iMtu svapnadalli koMDADisikoMDa lakShmI-
kAMtana kaMdanenisuva
saMtara mechchina vAdirAjeMdramuni
paMthadi peLida padavidu ||109||
shrIyarasa hayavadanapriya vAdirAja-
rAya rachisida padavidu
AyuShya bhaviShya dinadinake hechchAguvadu ni-
rAyAsadiMda sukhiparu ||110||
bommana dinadalli ommomme I maduve
krammadi mADi vinodisuva
namma nArAyaNagU I rammegaDigaDigu
asura mohanave naranaTane ||111||
maduveyamaneyalli I padava pADidare
madumakkaLigemudavahudu
vadhugaLige oleya bhAgya dinadinake hechchuvadu
madananayyana kR^ipeyiMda ||112||
shobhAnavennire suraroLu shubhaganige
shobhAnavenni suguNanige
shobhAnavennire trivikramarAyage
shobhAnavenni surapriyage ||shobhAne||
May 12, 2008 at 10:03 am
dear bhoomasri,
thank you very much for providing the lakshmi shobane lyrics. (published it as a separate post in itself as there was a lot of demand/ request for it).
take care and regards
rk
June 5, 2008 at 4:43 pm
Namaste
Its very fantastic blog. Oh! So much info here!!
Thank God…. I am not too late!
Vande,
Chetana
June 23, 2008 at 6:42 pm
We are looking for the lyric of Jaganmohanane Krishna of Sri Purandaradasa.
June 23, 2008 at 10:51 pm
@P.R.A.Rao
Here it is.
jaganmOhanane kRshNa :
http://purandara.wordpress.com/2008/05/27/
June 24, 2008 at 8:41 pm
Thank you very much for giving the lyric of Jaganmohanane krishna
June 26, 2008 at 11:46 pm
Wonderful site. I wud really be happy if someone can give me the lyrics of the song udipiya kandeera udipiya krishnana kandeera. My daughter who is 5 years old has learnt abt 10 dasara songs and she is very fond of this one. want to teach her this song.
June 28, 2008 at 10:46 am
priya,
‘udupiya kandeera’ is one of my fav. songs. am sure your daughter will learn many more daasara padagalu. best wishes.
***
udupiya kandeera
singer: sri vidyabhushana
udupiya kandeera
udupiya krishnana kandeera
krishnana kandeera
krishnana udupiya kandeera
jagadodeya bandha udupiyali ninda
padugadala daari inda
migilunte chandha kangalaananda
aananda thanda ninda
dwarakeya vaasa o hrishikesha
saakenisitheno eesha
vaariyali bandhe daariyali nindhe
nee dhaati desha desha
II udupiya kandeera II
kadagolu kaiyya kaduneeri maiyya
ee baala roopa kandu
kodamadada shiravo jodisada karavo
bari hullu maanu jungo
aa mugulu nagege aa nintha bagege
marulaadalanthe gopi
srimadhvagolidha krishnananegelida
veggalada naadu udupi
II udupiya kandeera II
padugadala theera dhindeddu bhaara
kadegolu hagga hididu
bidugadeya daari bhaktarige thori
nammedeya benne kadedu
aanandateerthareetarege
paarthasaratiyu karagi bandhu
taanindakalli nolaginda illi
vaikuntavanne thandhu
II udupiya kandeera II
July 2, 2008 at 9:57 am
Thanks Mr.Rk for the song. I was very happy for this early response. Will definetely teach my daughter as many songs as possible, coz this is age for her to pick up very easily. Thanks a lot once again.
July 5, 2008 at 4:02 pm
This is an Awsome site I have come accross from the day I started Browsing on the system…Hats off to Everybody
If possible plz send these kind of songs to my Email address which is mentioned above …
Thansk & Regards
Raghavendra A.Narasapur
Hubli
July 7, 2008 at 11:32 pm
ಕನ್ನಡದಲ್ಲಿ ಹರಿದಾಸರ ಮೇಲೆ ಮಾಹಿತಿ ಕೊಡಲು, ಅವರ ರಚನೆಗಳನ್ನು ನಿಮಗೆ ಕೊಡಲು ಹೊಸದೊಂದು ತಾಣ ತಯಾರಾಗುತ್ತಿದೆ.
ನೋಡಿ:
ಹರಿದಾಸ ಸಂಪದ: http://haridasa.in/
July 22, 2008 at 9:28 pm
Hi,
Any one has “Hendathi Prana Hinduthi” and “Acharavilladha” songs? If so, please let me know. I am not finding these songs.
Thanks in advance
Santhosh
August 17, 2008 at 11:00 pm
can anyone please give me the lyrics of ” Anthakana dootharige” song of Purandara dasa.
August 28, 2008 at 11:41 am
antakana dootarige
antakana dootarige kinchittu dayavilla
chinteyanu bittu srihariya nene manave
diva-ratriyennade vishayalampatanaagi
saviyootagalanundu bhramisabeda
avana kondhivana kondharthavanu galisuvare
javana dootaru baruva hottha neenariye
monne maduveyanaade karevudhondherademme
ninne kondenu kshetra phalavu bahudu
honnu hanavuntenage saayalaarenu enalu
benna biduvale mrutyu vyartha jeevatma
hosa maneya kattidenu griha shanti maneyolage
basiri hendati magana maduve naale
hasanaagi ide baduku saayalaarenu enalu
kusuridariyade bidaru yamanavaru aaga
putra huttida divasa haalu ootada habba
matthobba magana upanayana naale
arthiyaagide baduku saayalaarenu enalu
mruthyu hedathaleyalli naguthirpudariye
attadugeyunalilla ishta darushanavilla
kotta saalava kelva hotthanariye
katle tumbida mele kshana maatra iralilla
ashtarolu purandara vitalanenu manave
August 28, 2008 at 12:02 pm
***
hendathi praana hinduthi
hendathi praana hinduthi
dhodda konda kothiyanthe
kuni kunisutthi
hotthare yelutthi horage thirugaadutthi
hotthu hoyithu bhatya thaarennutthi
utthama guru hiriyara maathu meerutthi
mruthyu devatheyenthe maneyolagiruthi
illaddhu bedutthi sullu maathaadutthi
olle ootavanundu kulithirpenenthi
yellinashtu kelasa maadalaarenenthi
yellelli thaleyetthadhaangge maadutthi
hirithanakkhogutthi garuvike maadutthi
nerehoreyara kooda badidhaadutthi
dore siri purandaravitalana smarisade
dhurithakke guriyaagi nee nillutthi
***
aachaaravillada naalige
aachaaravillada naalige
ninna neecha buddhiya bidu naalige
vichaaravillade parara dooshipudakke
chaachikondiruvantha naalige
praathah kaaladoleddhu naalige
siri pathiyennabaarade naalige
pathithapaavana namma rathipathijanakana
sathathavu nudi kandya naalige
chaadi helalu beda naalige
ninna bedikombuvenu naalige
roodigodeya sri raamana naamava
paaduthaliru kandya naalige
hariya smarane maadu naalige
narahariya bhajisu kandya naalige
varadha purandara vittalarayana
charana kamala nene naalige
October 3, 2008 at 12:25 am
kudos to all of you who are running this website actively. It would be of great help if the lyrics for “Sri Mahalakumi deviye …komalaangiye saamagayana priyale’ can be published…Thanks in Advance, Aarthi Jois
October 7, 2008 at 9:55 am
Pranams:
I too have been quite fascinated by Purandaradasa Sahitya, in particular “Mullu koneya mele mooru keraya katti”. I believe, the last line of this song, namely, “takalillada kalapeya takisi sadgatiyanu eeyabeku purandara vitthalaraya” finally gives the solution to the riddle: “Please overlook my defects and give me sadgati. I have defect after defect, and the only way is if you overlook them”.
Krishna Subba Rao
October 12, 2008 at 7:53 pm
Namaskara :
Purandhara Dasare’s sacred and serene life and his contributions to the Daasa Sahithya would not have been possible with out blessings and GuruBodha from the great VyasaRajaru, the pre-run of Sree Guru Raja Raghavendra Swamigal. Vyasarajar has given life to many renowned people during VijayaNagara Kingdom including the King SreeKrishnaDevaraya.
Daasa Sahithya and Hari naama Prahasana is envisaged by GuruRayar during his Pre-Incarnation, which we are enjoying now.
HARI NAMASMARRANA VILLADA JEEVANA VYARTHAVU.
*** SREE GURURAJO VIJAYATHE…***
October 26, 2008 at 4:44 pm
HELLO ALL.
DASARA HESARU UCHAARA MADIDARE SAKU ONDHU THARAHA ROMANCHANA AAGUTTHE.
RECENTLY THERE WAS A CALL FROM ASSAM, AND THE LADY IS DOING MPHIL AND SHE WANTS SOME WRITE UP ON PURANDARA DASARA BHAKTHI BHAVA KEERTHANES. I AM TRYING TO GET. IF ANY BODY HAS GOT THEY CAN SHARE IT SO THAT MORE LIGHT IS THROWN ON THE DASA SAHITYA
DHANYAVADAGALU
MOHANKUMAR
DASARA DASA
October 27, 2008 at 3:21 pm
Truly amazing!! The first post was on Jan 19th 2007 and we are at the end of 2008 and the posts continue. Thanks RK for initiating such an eternally enriching topic. All this discussion may still be just a drop in the ocean called Purandara Daasa. For me, it was a good eye opener and heartening to note so many people contributing.
I have been dumbstruck by the simplicity, profoundness, literary superiority and devotional aspects of Purandara Daasa’s devaranaama. I am not sure how many vaggeyakaaras have all of this in their compositions.
Even today, I cannot imagine any human being telling Sriman Narayana, “NinagU AaNe Ranga enagU AaNe …” It speaks volumes of Purandara Daasa’s self realization as well as his unwavering devotion in the Lord. Ee yugada JagadoDhAra andre namma Purandara Daasare.
Thank you once again.
Keerthi
November 4, 2008 at 10:06 am
“Marulu maadikondeyalle maaya deviye” is it Purandara Dasara Kriti ?
Can some publish the lyrics ? Its a beautiful song.
December 4, 2008 at 6:23 pm
i am a pls give me karnatic vocal education cd
December 11, 2008 at 7:47 pm
Hello,
nanna tayige Purandara dasara “Dharma vemba sambalava galisaraiyya” bekagittu, tamage gottiddare pleasae nanage bekagittu.
meena
December 15, 2008 at 10:07 am
dharmavemba sambalava galisikolliro
dharmavemba sambalava galisikolliro
permeyim dehava nambabedi kaaniro
atta aduge unalu bidanu
kotta saala kelabidanu
pettigeyolagidda chinnava
thottenendare yamanu bidanu
akkanilli kareyalilla
makkalannu padeyalilla
duhkhagondu kanneeranu
ukkisidare bidanu yamanu
pelve nentaringe karedu
bele bellavannu thandhu
naale magana maduve endu
taalu endare yamanu bidanu
maalige maneyirali
jaalige thumba honnirali
aalumandhi shaaneyirali
kaalanu thaa benna bidanu
arthiyinda samsaarava
vyarthavaagi necchabedi
karthu purandaravitalanna
bhakthiyindale bhajisiro
December 15, 2008 at 10:17 am
marulu maadikondeyalle maayaadeviye
marulu maadikondeyalle maayaadeviye
irulu hagalu ekavaagi hariyu ninna bidadippadanthe
jnaanigalu nitya anna paanaadigalannu bittu
naanaa vidha tapaviddaru dhyanakke silukadavana
sarvasanghavannu bittu sanyasiyaada kaalakku
sarvada tannedeyamele bidade ninna dharisippante
pralayakaaladalli aaladeleyamele malagiddaga
halavu aabharanangalu jalavu aagi jaanatanadi
ranganu bhoolokadi bhujangagiriyolalamelu
mangapatiyaagi ninna angeekarisuvante
makkala padedare ninna chokkatanavu popudendu
pokkulolu makkala padedu kakkulaathipaduvante
edake bhumi balake shriyu eduralli durgadevi
thodeyamele lakumiyaagi bidade muddadisuvanante
endendigoo mareye ninnaanandadi janarigella
thandhu thore swaadheena purandaravitalaraayana
December 15, 2008 at 11:16 pm
Dear RK,
You really don’t know what you have given us, thanks a lot, when my mother asked me to get the full song [she knows only last paras from her childhood days] from internet, i had told her i will get in two minutes, but didnt get, then luckily i found your site, thanks again, shall call her tomorrow and will read out the song, thanks again.
meena
January 14, 2009 at 11:32 am
Dear RK,
I have been hearing dasara songs for the past two years and recently I heard the song manava janma doddadu through Yutube and It was fantastic.
Plese let me know where I can hear songs and kirtanas sung by your self.
thanking you
January 24, 2009 at 5:07 pm
Can someone email me the lyrics of the following song (just one para of the song is mentioned below)? My mail id is mail2shiv at gmail dot com.
shishtara sangava mAdadiddare yenage ANe ranga
dushtara sangava bidisadiddare ninage ANe
–
Sangatchadwam
(Let’s Move Together)
January 24, 2009 at 6:16 pm
enagoo aaNe ranga ninagoo aaNe
enagoo aaNe ranga ninagoo aaNe
enagoo ninagoo ibbarigoo ninna bhaktaraaNe
ninna bittu anyara bhajisidarenage aaNe ranga
enna kai bittu pOdare ninage aaNe
(enagoo)
tanu manadali vancitanaadare enage aaNe ranga
manasu ninnali nilisadiddare ninage aaNe
(enagoo)
shiSHtara sangava maaDadiddare enage aaNe ranga
duSHtara sangava biDisadiddare ninage aaNe
(enagoo)
kaaku manujara sangava maaDidarenage aaNe ranga
loukikava nee bidisadiddare ninage aaNe
(enagoo)
hari ninnashraya maaDadiddare enage aaNe ranga
purandara viTHala neenoliyadiddare ninage aaNe
(enagoo)
January 28, 2009 at 5:26 am
Ramakrishna,
Since many fans of Purandara dasa come here, I thought of posting a link to a short story about Purandara Dasa, written by yours truly.
http://neelanjana.wordpress.com/2009/01/27/the-jeweller-of-kshemapura-2/
March 1, 2009 at 12:25 am
hi rk..thank u so much for the song udupiya kandeera song..thank u so much…its very rare to get lyrics in english..good work..keep it up…
March 18, 2009 at 4:14 am
can anyone please post the lyrics of rama rama rama enniro song ?thank you…
March 18, 2009 at 4:16 am
hi rk..can i get the lyrics of rama rama rama enniro song please??????????
thank u
March 18, 2009 at 10:38 am
Rama Rama Rama Enniro
rAma rAma rAma rAma rAma ennirO sItA
(rAma)
nEmadinda bhajisuvavara kAmitagaLa koDuva nAma
(rAma)
kallininte iruva jIva nilladante maraNa vyALE
pullanAbha krSNanembo sollu bAyige odagadO
(rAma)
vAta pittaveraDu kUDi-shlEkSma bandu odagidAga
dhAtu kundidAga raghu-nAthanendu odagadO
(rAma)
ihadalli iSta uNTu paradalli sukhavuNTu
vara purandara viThalanna- smarane bAyige odagadO
(rAma)
***
The greatness of Rama’s name is attested in the sacred Vedas, Sastras and Puranas. If it could transform an illiterate hunter into a great Saint-poet (Valmiki), what wonders will it not work on us? It is the ‘Taraka Nama’ that destroys the cycle of birth and death. Many great composers have sung the glory of this nama, comparing it to a boat that carries us across the ocean of samsara. The numerous compositions in praise of Rama by Tyagaraja, composed spontaneously in the ecstasy his bhakti-bhava (devotion), are well-known. In addition, we have hundreds of songs on Rama by Purandaradasa, Bhadrachala Ramadas, Annamacharya, Muthuswami Dikshitar, Swati Tirunal, Ramanathapuram Srinivasa Iyengar, Mysore Vasudevachar, Papanasam Sivan and others.
Nama Sankeertana (singing in praise of the Lord) is considered the easiest way to salvation. Take for example the kriti ‘Rama Rama Rama Rama Rama enniro’ by Purandaradasa. When we learn, practice, sing or teach such songs, we unknowingly utter the Rama nama hundreds of times. Ramanatha (the Lord of Rama, Siva) himself preached the greatness of this nama to his consort Parvati, as follows:
Sri Raama Raama Raameti rame raame manorame |
Sahasranaama tat tulyam Raamanaama Varaanane ||
Here, the utterance of Rama nama just once is said to be equal to reciting the entire Vishnu Sahasranama (the thousand names of Vishnu). In this fast moving world, even if we have no time to sit and do ‘japa’ (meditation) or ‘tapa’ (penance), just singing or uttering the word ‘Rama’ during the course of our daily routine is sure to give us immense moral strength and peace of mind.
March 19, 2009 at 9:53 pm
thank u so much for the lyrics..i am grateful to u sir..
April 9, 2009 at 1:57 am
hello rk sir..can u pls send me the lyrics of “kandena udupiya krishnana ” song
thank u so much ..
April 9, 2009 at 10:05 am
kaMDe naa uDupiya kRUShNana
kaMDe naa uDupiya kRUShNana bU
maMDaladoLage uddaMDa mohipana
suttu nadiya kaMDe suryana prabhe kaMDe
allidda madhwa sarovarava kaMDe
madhvamatada aShTamunigaLa kaMDe
prasiddavaagiruva SrI uDupiya kRUShNana kaMDe
samudrava naa kaMDu snaanadhigaLa maaDi
chaMdramoulIShvarana charaNakeragi
A mEle naa baMdu anaMtteshvarana kaMDu
hanumantana paaDi manadi nillisi
uMgura uDudaara uDigejjegaLA naa kaMDE
raMgu maaNikyada navaratnada maale kaMDe
dhim dhimi dhimikeMdu kuNiva kRUShNana kaMDe naanu
puraMdaravittalana paada kamalava kaMDe
April 9, 2009 at 11:17 pm
thank u so much thank u so so much..how u u have all the songs…great!!keep it up the good work.thanks sir..
April 13, 2009 at 10:07 am
hello sir..can i listen the audio of dasara padagalu….
May 15, 2009 at 4:00 am
Namaskara,
you can listen to Dasara Padagalu non-stop on http://www.hari-dasa.com/DASARURADIO.html
Hari Om!
Umesh
May 25, 2009 at 3:01 pm
Hari Om,
Very impressive and enlightening posts. I remember some verses of a composition by Purandaradasa that my late father used to chant at the end of his morning pooja rituals every single day. This used to be sort of a ALARM to me and my brother tht we need to get up soon !!!
I am trying to get hold of the complete composition. I am scribing down of whatever I remember. Any helping post is always welcome. Here goes the composition (This post is NOT BARAHA compliant and may show up strange characters if transliterated)…
Jaya mangalam nitya shubha mangalam…
Srivatsa laannchanage ksheerabdhivaasage
Govardhanoddhaara Govindage |
Maava kamsanaa kondu makarakundaladharisi
Jeevaatmanaada chinmaya roopanige ||
Ambudhiya shayanage akhila bhooteshage
Tumburu Naaradaa munivandyage |
Yembattunaalakku laksha yoni gala raashiyanu
Gombeyanaagi maadi kunisuva devanige ||
Kandarpa nayyanige koti laavanyanige
Sundara mooruti Hari Sarvottamanige |
Kanda Prahallada naa kaayida Devanige ||
Pannanga shayanage paavanna charutage
Sannutaraada sajjanapaalage |
Yennodeya sreedeviyarasa muddu rangage
Tanna nambida varna sulabhabhage ||
Kariraaja varadage karuna samudrage
Garudaga mananiga vaibhava haarage |
Vara Purandara Vittala kambu kandaranige ||
Jaya Mangalam Nitya Shubha Mangalam…
I know that someone will have the composition and am making an attempt to see if Tatvavaadi’s on this platform can bail me out the existing predicament..
Abhramam Bhangarahitam Ajadam Vimalam Sadaa |
AnandaTeertha Matulam Bhaje Taapatrayaapaham ||
Jyaana Vairaagya Sampannam Bhakthi Maarga Pravartakam |
Purandaragurum vande Daasashrestham Dayaanidhim ||
Naasti Naaraayana Samam Na Bhootam Na Bhavishyati… Na MaadhavaSamo Devo Na Cha Nadhwa Samo Guruhu….
Nimma Vishwaasi,
Sughosha
May 25, 2009 at 3:01 pm
Hari Om,
Very impressive and enlightening posts. I remember some verses of a composition by Purandaradasa that my late father used to chant at the end of his morning pooja rituals every single day. This used to be sort of a ALARM to me and my brother tht we need to get up soon !!!
I am trying to get hold of the complete composition. I am scribing down of whatever I remember. Any helping post is always welcome. Here goes the composition (This post is NOT BARAHA compliant and may show up strange characters if transliterated)…
Jaya mangalam nitya shubha mangalam…
Srivatsa laannchanage ksheerabdhivaasage
Govardhanoddhaara Govindage |
Maava kamsanaa kondu makarakundaladharisi
Jeevaatmanaada chinmaya roopanige ||
Ambudhiya shayanage akhila bhooteshage
Tumburu Naaradaa munivandyage |
Yembattunaalakku laksha yoni gala raashiyanu
Gombeyanaagi maadi kunisuva devanige ||
Kandarpa nayyanige koti laavanyanige
Sundara mooruti Hari Sarvottamanige |
Kanda Prahallada naa kaayida Devanige ||
Pannanga shayanage paavanna charutage
Sannutaraada sajjanapaalage |
Yennodeya sreedeviyarasa muddu rangage
Tanna nambida varna sulabhabhage ||
Kariraaja varadage karuna samudrage
Garudaga mananiga vaibhava haarage |
Vara Purandara Vittala kambu kandaranige ||
Jaya Mangalam Nitya Shubha Mangalam…
I know that someone will have the composition and am making an attempt to see if Tatvavaadi’s on this platform can bail me out the existing predicament..
Abhramam Bhangarahitam Ajadam Vimalam Sadaa |
AnandaTeertha Matulam Bhaje Taapatrayaapaham ||
Jyaana Vairaagya Sampannam Bhakthi Maarga Pravartakam |
Purandaragurum vande Daasashrestham Dayaanidhim ||
Naasti Naaraayana Samam Na Bhootam Na Bhavishyati… Na MaadhavaSamo Devo Na Cha Madhwa Samo Guruhu….
Nimma Vishwaasi,
Sughosha
June 9, 2009 at 3:00 pm
Hari Om,
I was listening to “Sammishra Upanyaasamaalike” by one of the most revered TATVAVADA exponents of this century. The exponent proudly proclaims that EACH and EVERY composition of PurandaraDasa is a upanishath by itself. He was expanding the inner meaning of one the dasa’s compositions. Incidentally this composition again reminded me of my late father as this was the first song with which his morning rituals would start. I am reproducing that for the benefit of the various Hari Bhaktaas on this platform..
This post is NOT BARAHA compliant and may show up strange characters if transliterated.…
Yelayya Belagaayithu.
Belagaayithu Yelu Naaraayana Yelu Lakshmi Ramama, Yelu Sri Giriya Odeya, Venkatesha..
Daasarellaru bandu dhooli darshana gondu, Leesaagi kaaladandigeya pididu.. Keshavane nimma siri naamavane smarisuthali, Vaasudevane Udayadali Paaduthiharu…
Kaasidda Haalugala Kaavadeya Tumbittu,Leesaagi Kene Mosaru Benneyanu Meddu..
Sheshashayanane Yelu Samudra Mathanava Maadu, Desha Kempaayithelayya Hariye…
Aralu Mallige Jaajee Parimalada Pushpagala, Suraru tandiharayya Sujanarodeya..
Aravinda Lochanane Koli Koogithu Kelo, Purandara Vittalane Belagaayithu…
We should at this time also not loose sight of Acharya Madhwa. This is a reminder that we should not forget that the Daasa Saahitya’s and the Hari Daasaa’s came into existence after Acharya Madhwa incarnated at the behest of the gods to revive TATVAVADA and reinstate the philosophy of HARIREVA PARO HARIREVA GURUHU, HARIREVA JAGATPITRU MAATRU GATIHI. That is why it is aptly said “na maaDhava samO DevO na cha maDhwa samO guruhu” !!!!!
srimadaananda teertha varade gyaanadaaranya paavake |
Gyaanadaayini sarveshe Srinivaaseethu me manaha ||
sri raamam hanoomatsevyam sri krishnam bheema sevitam |
Sri vyaasam madhwa samsevyam nammami gyaana Siddhaye ||
Jyaana Vairaagya Sampannam Bhakthi Maarga Pravartakam |
Purandaragurum vande Daasashrestham Dayaanidhim ||
Hari Om,
Sughosha
June 26, 2009 at 6:53 pm
hello,
Can anyone please tell me the name of a good artist who has sung this song “kandu kandu nee enna….” which is a work of sri purandaasa.
Thanks
July 15, 2009 at 3:38 am
thank u so much mr sughosha ..i know that wed site ..but i need it like album not live one ..anyhow thanks..
October 29, 2009 at 12:48 pm
HI, in samputi.com site having all the information about kaarthikamasam 30 days pooja procedure and having all the other pooja procedures,vrathas also and having for children rhymes, shathakamulu.and sathyanarayana vrathapooja, dhaamodhara, kedhaareshwara, ksheeraabdhi vratha poojas are also available.in English and telugu languages. audio also available for each pooja.
The Specific Link is
http://www.samputi.com/launch.php?m=pooja&l=te&key=16.
visit samputi.com website once.
thanks
-rao
November 9, 2009 at 8:09 am
I need the lyrics for the song Yemanyello Kanenendenabeda Yamne Sri Ramanu Sandheha beda. Please send me this as soon as possible. Thank you.
November 9, 2009 at 11:07 am
Raga: sivaranjani
yamanelli kaaNenendhu hELa bEdaa
yamanE sri raamanu sandheha bEdaa
nambida vibeeshanage raamanaada
nambadidda raavaNage yamanaada
nambida arjunagE mithranaada
nambadidda dhuryOdhanagE sathruvaada
nambida prahlaadhanigE hariyaada
nambadidda hiraNyagE ariyaada
nambida ugrasenagE brudhyanaada
nambadidda kamsanigE shathruvaada
nambi koLLi bEga sri krishNa dEvana
kambu chakradhaari sri purandhara vittala
November 9, 2009 at 4:43 pm
Thank you very much. I would really appreciate if you could send me the meaning of the same song.